{"id":3884,"date":"2019-01-14T15:00:33","date_gmt":"2019-01-14T14:00:33","guid":{"rendered":"https:\/\/slovenci.rs\/?page_id=3884"},"modified":"2019-01-14T15:03:50","modified_gmt":"2019-01-14T14:03:50","slug":"stamenkovic-2018","status":"publish","type":"page","link":"https:\/\/slovenci.rs\/sl\/stamenkovic-2018\/","title":{"rendered":"Aleksandra Stamenkovi\u0107, Doprinos Jo\u017eeta Ple\u010dnika arhitekturi Beograda"},"content":{"rendered":"

Slovenika IV (2018) 93-112
\nPregledni \u010dlanak
\nUDK: 72.071.1 Ple\u010dnik J.
\n726(497.11)
\nTekst primljen za objavljivanje 03. 12. 2018.
\nBesedilo sprejeto za objavo 03. 12. 2018
\n\u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF)<\/a><\/p>\n

DOI: https:\/\/doi.org\/10.18485\/slovenika.2018.4.1.4<\/a><\/p>\n

Aleksandra Stamenkovi\u0107
\nIzdava\u010dka ku\u0107a \u201eKlett\u201c
\nBeograd, Srbija
\na_stamenkovic@ymail.com<\/a><\/p>\n

Doprinos Jo\u017eeta Ple\u010dnika arhitekturi Beograda<\/h4>\n

Sa\u017eetak<\/em>:\u00a0 Jo\u017ee Ple\u010dnik pripada generaciji istaknutijih slovena\u010dkih i jugoslovenskih arhitekata \u010dija su dela ostavila zna\u010dajan pe\u010dat u Be\u010du, Pragu i Ljubljani, ali i u Beogradu. Umetni\u010dki put gradio je na temeljima klasi\u010dnih izvora arhitekture, u vremenu deklarisanja modernog pokreta u umetnosti. Iz spoja istorijskih i savremenijih umetni\u010dkih tokova nastao je specifi\u010dni umetni\u010dki izraz Jo\u017eeta Ple\u010dnika. Odstupanje od aktuelnih tokova i \u010distih, a praznih povr\u0161ina bilo je poku\u0161aj osavremenjivanja graditeljske ba\u0161tine primesama jedinstvenog umetni\u010dkog duha. Njegova dekorativna arhitektura je mnogo bogatija i kompleksnija od utiska koji na prvi pogled stvara, i ona komunicira kako sa onima koji je neposredno koriste, tako i sa onima koji je u nau\u010dno-istra\u017eiva\u010dkom postupku posmatraju. Cilj ovog priloga prou\u010davanju Ple\u010dnikovog rada jeste poku\u0161aj osvetljavanja njegovog doprinosa javnom prostoru Beograda, izra\u017een reprezentativnim hramom Sv. Antuna Padovanskog u Bregalni\u010dkoj ulici (op\u0161tina Vra\u010dar).<\/p>\n

Klju\u010dne re\u010di<\/em>: Jo\u017ee Ple\u010dnik, Beograd, crkva Sv. Antuna, rimokatoli\u010dka crkva u Obrenovcu, sakralna arhitektura, kapela Usmiljenki, DSNO<\/p>\n

 <\/p>\n

Aleksandra Stamenkovi\u0107
\nZalo\u017eni\u0161ka hi\u0161a Klett
\nBeograd, Srbija
\na_stamenkovic@ymail.com<\/a><\/p>\n

PRISPEVEK JO\u017dETA PLE\u010cNIKA K ARHITEKTURI BEOGRADA<\/h4>\n

Povzetek<\/em>: Jo\u017ee Ple\u010dnik pripada generaciji pomembnih slovenskih in jugoslovanskih arhitektov, katerih dela so pustila izrazit pe\u010dat na Dunaju, v Pragi, Ljubljani, pa tudi v Beogradu. Svojo umetni\u0161ko pot je gradil na temeljih klasi\u010dne arhitekture, v \u010dasu deklariranja modernega gibanja v umetnosti. Iz spoja zgodovinskih in sodobnej\u0161ih umetni\u0161kih tokov je nastal specifi\u010den umetni\u0161ki izraz Jo\u017eeta Ple\u010dnika. Odklon od aktualnih tokov in \u010distih, a praznih povr\u0161in predstavlja poskus posodabljanja graditeljske dedi\u0161\u010dine s primesmi edinstvenega umetni\u0161kega duha. Njegova dekorativna arhitektura je precej bogatej\u0161a in kompleksnej\u0161a od tistega, kar sporo\u010da na prvi pogled, in komunicira tako z neposrednimi koristniki kot s tistimi, ki se z njo ukvarjajo prek znanstvenoraziskovalnih postopkov. Cilj pri\u010dujo\u010dega prispevka o Ple\u010dnikovem delu je poskus osvetlitve njegovega doprinosa k javnemu prostoru Beograda, ki ga reprezentativno odra\u017ea cerkev sv. Antona Padovanskega v Bregalni\u010dki ulici (ob\u010dina Vra\u010dar).<\/p>\n

Klju\u010dne besede<\/em>: Jo\u017ee Ple\u010dnik, Beograd, cerkev sv. Antona, rimskokatoli\u0161ka cerkev v Obrenovcu, sakralna arhitektura, kapela Usmiljenki, DSNO<\/p>\n

 <\/p>\n

Aleksandra Stamenkovi\u0107
\nKlett Publishing House
\nBelgrade, Serbia
\na_stamenkovic@ymail.com<\/a><\/p>\n

JO\u017dE PLE\u010cNIK\u2019S CONTRIBUTION TO BELGRADE ARCHITECTURE<\/h4>\n

Abstract<\/em>: Jo\u017ee Ple\u010dnik belongs to the generation of the prominent Slovenian and Yugoslav architects whose artistic style left a significant imprint on the architecture of Vienna, Prague, Ljubljana and Belgrade. At the time when modern art movements were rising, Ple\u010dnik was developing his style relying on classic architectural sources. Jo\u017ee Ple\u010dnik\u2019s specific artistic expression was a result of the fusion between historical and contemporary art movements. His departure from the contemporary tendencies and plain and empty surfaces was an attempt to modernize architectural heritage using the elements of a distinct artistic spirit. His decorative architecture is considerably more diversified and complex than the first-glance impression indicates. It communicates both with the users and with researchers. This study seeks to highlight Ple\u010dnik\u2019s contribution to the transformation of Belgrade\u2019s public space, embodied in the representative church of St. Anthony of Padua in Bregalni\u010dka Street in the Vra\u010dar Municipality.<\/p>\n

Keywords<\/em>: Jo\u017ee Ple\u010dnik, Belgrade, St. Anthony\u2019s church, Roman Catholic church in Obrenovac, sacral architecture, Chapel of the Daughters of Charity, DSNO<\/p>","protected":false},"excerpt":{"rendered":"

Slovenika IV (2018) 93-112 Pregledni \u010dlanak UDK: 72.071.1 Ple\u010dnik J. 726(497.11) Tekst primljen za objavljivanje 03. 12. 2018. Besedilo sprejeto za objavo 03. 12. 2018 \u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF) DOI: https:\/\/doi.org\/10.18485\/slovenika.2018.4.1.4 Aleksandra Stamenkovi\u0107 Izdava\u010dka ku\u0107a \u201eKlett\u201c Beograd, Srbija a_stamenkovic@ymail.com Doprinos Jo\u017eeta Ple\u010dnika arhitekturi Beograda Sa\u017eetak:\u00a0 Jo\u017ee Ple\u010dnik pripada generaciji istaknutijih slovena\u010dkih […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3884","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/3884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/comments?post=3884"}],"version-history":[{"count":5,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/3884\/revisions"}],"predecessor-version":[{"id":3891,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/3884\/revisions\/3891"}],"wp:attachment":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/media?parent=3884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}