{"id":3902,"date":"2019-01-14T15:23:23","date_gmt":"2019-01-14T14:23:23","guid":{"rendered":"https:\/\/slovenci.rs\/?page_id=3902"},"modified":"2019-01-14T15:23:23","modified_gmt":"2019-01-14T14:23:23","slug":"kojic-mladenov-2018","status":"publish","type":"page","link":"https:\/\/slovenci.rs\/sl\/kojic-mladenov-2018\/","title":{"rendered":"Sanja Koji\u0107 Mladenov, Lidija Srebotnjak Pri\u0161i\u0107 \u2013 profesionalni identitet intermedijske umetnice i profesorke"},"content":{"rendered":"

Slovenika IV (2018) 81-92
\nPregledni \u010dlanak
\nUDK: 7.071.1 Srebotnjak-Pri\u0161i\u0107 L.
\n7.038.53:77
\nTekst primljen za objavljivanje 03. 12. 2018.
\nBesedilo sprejeto za objavo 03. 12. 2018
\n\u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF)<\/a><\/p>\n

DOI: https:\/\/doi.org\/10.18485\/slovenika.2018.4.1.3<\/a><\/p>\n

Sanja Koji\u0107 Mladenov
\nMuzej savremene\u00a0 umetnosti Vojvodine
\nNovi Sad, Srbija
\nsanja.kojic@msuv.org<\/a><\/p>\n

Lidija Srebotnjak Pri\u0161i\u0107 \u2013 profesionalni identitet intermedijske umetnice i profesorke<\/h4>\n

Sa\u017eetak<\/em>: U oblasti medijske umetni\u010dke prakse u Srbiji zna\u010dajna je uloga \u017eena, naro\u010dito u domenu video i digitalne umetnosti, dok su, me\u0111utim, njihova vidljivost i valorizacija u stru\u010dnoj i \u0161iroj javnosti jo\u0161 uvek izazov za nova istra\u017eivanja. U radu Lidija Srebotnjak Pri\u0161i\u0107 \u2013 profesionalni identitet intermedijske umetnice<\/em> i profesorke <\/em>istaknuta je zna\u010dajna edukativna i umetni\u010dka aktivnost Lidije Srebotnjak Pri\u0161i\u0107, intermedijalne umetnice i profesorke novih likovnih medija slovena\u010dkog porekla. Potrebno je izdvojiti slojevitost i fluidnost profesionalnog identiteta ove vizuelne umetnice i ukazati na njega, analizirati njen profesorski rad na Akademiji umetnosti u Novom Sadu i paralelni razvoj sopstvene umetni\u010dke prakse, te prona\u0107i mogu\u0107nost za ve\u0107u vidljivost njenog doprinosa u javnosti. Uo\u010dljivo je da je Lidiji Srebotnjak Pri\u0161i\u0107 profesionalni identitet najistaknutiji, dok ostalim identitetima umetnica pristupa kao promenljivim kategorijama. Ona posebno pridaje va\u017enost preno\u0161enju znanja i formiranju novih kadrova u cilju odr\u017eavanja kontinuiteta u neposrednoj praksi, uvo\u0111enju intermedijske prakse u umetnosti, te uspostavljanju kontakta sa slovena\u010dkom umetni\u010dkom scenom. Paralelne profesionalne aktivnosti daju osnova za analizu identiteta umetnice i profesorke, te njegovog pojavljivanja i vrednovanja u javnosti.<\/p>\n

Klju\u010dne re\u010di<\/em>: fluidni identitet, rodne studije, savremena vizuelna umetnost, umetnica, medijska umetni\u010dka praksa<\/p>\n

 <\/p>\n

Sanja Koji\u0107 Mladenov
\nMuzej sodobne umetnosti Vojvodine
\nNovi Sad, Srbija
\nsanja.kojic@msuv.org<\/a><\/p>\n

LIDIJA SREBOTNJAK PRI\u0160I\u0106 \u2013 PROFESIONALNA IDENTITETA INTERMEDIJSKE UMETNICE IN PROFESORICE<\/h4>\n

Povzetek<\/em>: Na podro\u010dju medijske umetni\u0161ke prakse v Srbiji je vloga \u017eensk pomembna, \u0161e posebej v polju video in digitalne umetnosti, hkrati pa sta njihova vidljivost in volarizacija znotraj strokovne in \u0161ir\u0161e javnosti \u0161e vedno izziv za nove raziskave. V delu Lidija Srebotnjak<\/em> Pri\u0161i\u0107 \u2013 profesionalna identiteta intermedijske umetnice in profesorice<\/em> je poudarjena pomembna izobra\u017eevalna in umetni\u0161ka aktivnost Lidije Srebotnjak Pri\u0161i\u0107, intermedialne umetnice in profesorice novih likovnih medijev slovenskega izvora. Posebej se je treba posvetiti ve\u010dplastnosti in fluidnosti profesionalne identitete te vizualne umetnice in jo osvetliti, analizirati njeno profesorsko delo na Akademiji umetnosti v Novem Sadu in paralelni razvoj lastne umetni\u0161ke prakse ter odkriti mo\u017enosti za ve\u010djo javno vidljivost njenega doprinosa. O\u010ditno je, da je najbolj poudarjena profesionalna identiteta Lidije Srebotnjak Pri\u0161i\u0107, medtem ko k ostalim identitetam umetnica pristopa kot k spremenljivim kategorijam. Posebno pomembnost prepoznava v prena\u0161anju znanja in formiranju novih kadrov, s ciljem ohranjanja kontinuitete v neposredni praksi, v uvajanju intermedijske prakse v umetnost in vzpostavljanju kontaktov s slovensko umetni\u0161ko sceno. Paralelne profesionalne aktivnosti nudijo osnovo za analizo identitete umetnice in profesorice, njenega pojavljanja in vrednotenja v javnosti.<\/p>\n

Klju\u010dne besede<\/em>: fluidna identiteta, \u0161tudije spola, sodobna vizualna umetnost, umetnica, medijska umetni\u0161ka praksa<\/p>\n

 <\/p>\n

Sanja Koji\u0107 Mladenov
\nThe Museum of Contemporary Art Vojvodina
\nNovi Sad, Serbia
\nsanja.kojic@msuv.org<\/a><\/p>\n

LIDIJA SREBOTNJAK PRI\u0160I\u0106 \u2013 THE PROFESSIONAL IDENTITY OF AN INTERMEDIA ARTIST AND PROFESSOR<\/h4>\n

Abstract<\/em>: In media art practice in Serbia, women have a prominent role, especially in the domain of video and digital arts. At the same time, their visibility and standing in the eyes of the professional and general public remain a challenge for further research. The study Lidija Srebotnjak Pri\u0161i\u0107 \u2013 The Professional Identity of an Intermedia<\/em> Artist and Professor <\/em>highlights the significant educational and<\/p>\n

artistic activity of Lidija Srebotnjak Pri\u0161i\u0107, an intermedia artist of Slovenian origin and a university professor of new artistic media. It is necessary to show and to highlight the multidimensional character and fluidity of the visual artist\u2019s professional identity and analyze her professorial activities at the Academy of Arts in Novi Sad and the parallel development of her independent artistic practice. It is also important to ensure a greater public visibility of her contribution to art. It is apparent that the professional identity of Lidija Srebotnjak Pri\u0161i\u0107 is the most prominent, while she approaches other identities as variable categories. She pays special attention to the transfer of knowledge and the development of new professional staff, seeking to ensure continuity in practice, introduce intermedia practice in art, and establish contacts with the Slovenian art scene. Her parallel professional activities provide a basis for analyzing the artist and professor\u2019s identity, and his manifestations and evaluation in the public.<\/p>\n

Keywords<\/em>: fluid identity, gender studies, modern visual art, woman artist, media art practice<\/p>","protected":false},"excerpt":{"rendered":"

Slovenika IV (2018) 81-92 Pregledni \u010dlanak UDK: 7.071.1 Srebotnjak-Pri\u0161i\u0107 L. 7.038.53:77 Tekst primljen za objavljivanje 03. 12. 2018. Besedilo sprejeto za objavo 03. 12. 2018 \u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF) DOI: https:\/\/doi.org\/10.18485\/slovenika.2018.4.1.3 Sanja Koji\u0107 Mladenov Muzej savremene\u00a0 umetnosti Vojvodine Novi Sad, Srbija sanja.kojic@msuv.org Lidija Srebotnjak Pri\u0161i\u0107 \u2013 profesionalni identitet intermedijske umetnice i […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3902","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/3902","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/comments?post=3902"}],"version-history":[{"count":1,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/3902\/revisions"}],"predecessor-version":[{"id":3903,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/3902\/revisions\/3903"}],"wp:attachment":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/media?parent=3902"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}