{"id":3909,"date":"2019-01-14T15:35:57","date_gmt":"2019-01-14T14:35:57","guid":{"rendered":"https:\/\/slovenci.rs\/?page_id=3909"},"modified":"2019-01-14T15:37:44","modified_gmt":"2019-01-14T14:37:44","slug":"reichenberg-2018","status":"publish","type":"page","link":"https:\/\/slovenci.rs\/sl\/reichenberg-2018\/","title":{"rendered":"Mitja Reichenberg, Filmska glasba in zlata leta slovenskega filma (1)"},"content":{"rendered":"

Slovenika IV (2018) 139-160
\nPregledni \u010dlanak
\nUDK: 791.636:78(497.4)
\nTekst primljen za objavljivanje 03. 12. 2018.
\nBesedilo sprejeto za objavo 03. 12. 2018
\n\u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF)<\/a><\/p>\n

DOI: https:\/\/doi.org\/10.18485\/slovenika.2018.4.1.6<\/a><\/p>\n

Mitja Reichenberg
\nIn\u0161titut in akademija za multimedije (IAM)
\nLjubljana, Slovenija
\nmitja.reichenberg@gmail.com<\/a><\/p>\n

Filmska glasba in zlata leta slovenskega filma (1)<\/h4>\n

Povzetek<\/em>:\u00a0 Zgodovina slovenske filmske glasbe je morda najkraj\u0161a umetnostna zgodovina od vseh. To lahko vidimo v pregledu najpomembnej\u0161ih del tega podro\u010dja in nekaterih avtorjev, ki so bili neko\u010d v koraku s svetovnimi kinematografskimi trendi. Dandanes je trend glasbe v slovenskem filmu prepu\u0161\u010den ve\u010dinoma elementarnim silam in cenej\u0161im izdelkom \u2013 in neizobra\u017eenim avtorjem, ki so vklju\u010deni v filmsko in glasbeno industrijo bolj po poznanstvu kakor po znanju. To ni samo umetni\u0161ko ali dru\u017ebeno sporen problem, ampak tudi dejstvo, da sploh nimamo ve\u010d kriti\u010dnega ob\u010dinstva in naro\u010dnikov, ki bi znali lo\u010diti dobre ter slabe filme in s tem povezane glasbene izdelke \u2013 in akademski prostor je ob tem problemu popolnoma slep in gluh. \u010clanek predstavlja zna\u010dilnosti slovenske filmske glasbe skozi prikaz nekaterih dose\u017ekov, hkrati pa ponuja skoraj romanti\u010den pogled na preteklo obdobje, imenovano \u00bbzlata doba\u00ab slovenske kinematografije. Tega se morata zavedati filmsko-glasbena umetnost in stroka, prav tako kot vse njune tim. sestre, ki glasbo delijo na teorijo in prakso. Na \u017ealost lahko re\u010demo, da teorija ne gre po poti razumevanja prakse, medtem ko praksa ne obravnava in se ne ukvarja s teorijo in znanjem. Ta razkol vodi slovensko filmsko glasbo na pot gara\u017ene in cenej\u0161e produkcije, zato le-ta ne more ve\u010d tekmovati z veliko filmsko glasbo evropskih ali svetovnih trendov. Morda z ve\u010djo zavestjo o lastnem delu in sodelovanju ter sinergiji med tistimi, ki ustvarjajo slovenski film, lahko nastopi tudi nova zlata doba, nekak\u0161na filmska renesansa. V besedilu razmi\u0161ljamo tudi o tej mo\u017enosti.<\/p>\n

Klju\u010dne besede<\/em>: film, glasba, slovenski film, filmska glasba, filmski skladatelji<\/p>\n

 <\/p>\n

Mitja Reichenberg
\nInstitut i akademija za multimedije (IAM)
\nLjubljana, Slovenija
\nmitja.reichenberg@gmail.com<\/a><\/p>\n

FILMSKA MUZIKA I ZLATNE GODINE SLOVENA\u010cKOG FILMA (1)<\/h4>\n

Sa\u017eetak<\/em>: Istorija slovena\u010dke filmske muzike predstavlja mo\u017eda najkra\u0107u istoriju umetnosti od svih. To pokazuje i pregled kako najzna\u010dajnijih dela iz te oblasti tako i nekih od autora koji su pratili tada\u0161nje svetske trendove kinematografije. I dan-danas je muzi\u010dki trend u slovena\u010dkom filmu uglavnom prepu\u0161ten elementarnim silama i jeftinijim proizvodima, a neizbe\u017eno \u2013 i autorima koji se u filmsku muzi\u010dku industriju uklju\u010duju vi\u0161e zbog veza nego zbog znanja. Ne radi se samo o umetni\u010dkom ili dru\u0161tveno spornom problemu, nego i o \u010dinjenici da vi\u0161e ne postoji kriti\u010dna publika niti klijenti koji bi mogli da prave razliku izme\u0111u dobrih i lo\u0161ih filmova i njihovih prate\u0107ih muzi\u010dkih proizvoda. Akademska klijentela za to vreme ostaje slepa i gluva. \u010clanak obuhvata osobenosti slovena\u010dke filmske muzike kroz neka od filmskih dostignu\u0107a, nude\u0107i istovremeno gotovo romanti\u010dan prizor proteklog razdoblja, nazvanog zlatnim dobom slovena\u010dke kinematografije. Tim razdobljem bi trebalo da se pozabave filmsko-muzi\u010dka umetnost i struka, kao i njihove disciplinarne \u201esestre\u201c, one koje prave razliku izme\u0111u muzi\u010dke teorije i prakse. Na\u017ealost, mo\u017ee se re\u0107i da teorija ne prati put razumevanja prakse, dok praksa teoriju i znanje ne konstatuje i njima se ne bavi. Taj raskol vodi slovena\u010dku filmsku muziku ka \u201egara\u017enoj\u201c i jeftinijoj produkciji, pa se ona vi\u0161e ne mo\u017ee takmi\u010diti sa velikom filmskom muzikom evropskih i svetskih trendova. Mogu\u0107e je da sa porastom svesti o vlastitom radu i saradnji, kao sinergijom izme\u0111u onih koji stvaraju slovena\u010dki film, mo\u017ee do\u0107i novo \u201ezlatno doba\u201c, nekakva filmska renesansa. U ovom tekstu razmi\u0161lja\u0107emo i o tome.<\/p>\n

Klju\u010dne re\u010di: film, muzika, slovena\u010dki film, filmska muzika, filmski kompozitori<\/p>\n

 <\/p>\n

Mitja Reichenberg
\nInstitute and Academy for Multimedia (IAM)
\nLjubljana, Slovenia
\nmitja.reichenberg@gmail.com<\/a><\/p>\n

FILM MUSIC AND THE GOLDEN AGE OF SLOVENIAN FILM (1)<\/h4>\n

Abstrac<\/em>t: The history of Slovenian film music is perhaps the shortest art history of all, as shown by the overview of the most important works in this area and witnessed by some authors involved in the study of trends in international cinematography. The leading trend in Slovenian film music is still dominated by rudimentary motives and cheap products, and, consequently, by uneducated composers who get involved in the film music industry due to personal connections rather than expertise. We are dealing not only with an artistically or socially disputable problem but also with the lack of a critical audience and commissioners who could distinguish between good and bad cinematographic works the corresponding music products. At the same time, the academic audience usually remains blind and silent The article covers the most distinctive landmarks of Slovenian film music incorporated in some cinematographic works, while offering an almost romantic view of the past period, dubbed the \u2018golden age\u2019 of Slovenian cinematography. This period should be analyzed in the context of the study of film music and of its \u2018sister\u2019 disciplines, which make a distinction between music theory and practice. Unfortunately, we may say that theory is not open to understanding the practical aspects, while practice pays no attention to theory and knowledge. This rift leads Slovenian film music towards cheap \u2018garage\u2019 production, due to which it is not competitive with European or global trends. It is possible that a greater awareness of professional standards and cooperation, as well as a synergy among those who create Slovenian films, will lead to a new \u2018golden age\u2019 \u2013 a kind of film music renaissance. This topic is revisited in the paper, as well.<\/p>\n

Keywords<\/em>: film, music, Slovenian film, film music, film composers<\/p>","protected":false},"excerpt":{"rendered":"

Slovenika IV (2018) 139-160 Pregledni \u010dlanak UDK: 791.636:78(497.4) Tekst primljen za objavljivanje 03. 12. 2018. Besedilo sprejeto za objavo 03. 12. 2018 \u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF) DOI: https:\/\/doi.org\/10.18485\/slovenika.2018.4.1.6 Mitja Reichenberg In\u0161titut in akademija za multimedije (IAM) Ljubljana, Slovenija mitja.reichenberg@gmail.com Filmska glasba in zlata leta slovenskega filma (1) Povzetek:\u00a0 Zgodovina slovenske filmske […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3909","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/3909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/comments?post=3909"}],"version-history":[{"count":1,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/3909\/revisions"}],"predecessor-version":[{"id":3910,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/3909\/revisions\/3910"}],"wp:attachment":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/media?parent=3909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}