{"id":4210,"date":"2020-01-23T13:05:17","date_gmt":"2020-01-23T12:05:17","guid":{"rendered":"https:\/\/slovenci.rs\/?page_id=4210"},"modified":"2020-01-23T13:08:43","modified_gmt":"2020-01-23T12:08:43","slug":"katja-mihurko-poniz-vezi-zofke-kveder-s-srbskim-kulturnim-prostorom","status":"publish","type":"page","link":"https:\/\/slovenci.rs\/sl\/katja-mihurko-poniz-vezi-zofke-kveder-s-srbskim-kulturnim-prostorom\/","title":{"rendered":"KATJA MIHURKO PONI\u017d, VEZI ZOFKE KVEDER S SRBSKIM KULTURNIM PROSTOROM"},"content":{"rendered":"<p style=\"text-align: right;\">Slovenika V (2019) 23-48<br \/>\nZnanstveni \u010dlanek<br \/>\nUDK: 821.163.6.09:821.163.41.09<br \/>\n821.163.6.09 \u041a\u0432\u0435\u0434\u0435\u0440 \u0417.<br \/>\nTekst primljen za objavljivanje 30. 10. 2019.<br \/>\nBesedilo sprejeto za objavo 30. 10. 2019<br \/>\n<a href=\"https:\/\/slovenci.rs\/wp-content\/uploads\/2020\/01\/slovenika-2019-5-1-1.pdf\" target=\"_blank\">\u010clanek (PDF) | \u010clanak (PDF) | Paper (PDF)<\/a><\/p>\n<p style=\"text-align: right;\">DOI: <a href=\"https:\/\/doi.org\/10.18485\/slovenika.2019.5.1.1\" target=\"_blank\">https:\/\/doi.org\/10.18485\/slovenika.2019.5.1.1<\/a><\/p>\n<p>Katja Mihutko Poni\u017e<br \/>\nUniverza v Novi Gorici<br \/>\nFakulteta za humanistiko<br \/>\nSlovenija<br \/>\n<a href=\"mailto:katja.mihurko.poniz@ung.si\">katja.mihurko.poniz@ung.si<\/a><\/p>\n<h4>Vezi Zofke Kveder s srbskim kulturnim prostorom<\/h4>\n<p><em>Povzetek<\/em>: V \u010dlanku so predstavljene razli\u010dne oblike kulturnih stikov Zofke Kveder s srbskimi intelektualci in intelektualkami. V prvem delu \u010dlanka so raziskane objave njenih literarnih besedil v srbskem prostoru ter kriti\u0161ki odzivi nanje. V drugem delu \u010dlanka, izhajajo\u010d iz korespondence Zofke Kveder, rekonstruiramo njen odnos s srbskim socialistom Dimitrijem Tucovi\u0107em, ki jo je navdu\u0161il za potovanje v Srbijo, kamor se je odpravila tik pred prvo svetovno vojno. To potovanje je v nadaljevanju \u010dlanka natan\u010dno opisano. Pozornost je usmerjena tudi na avtori\u010dina dela, predvsem like Srbov in Srbkinj, ki se pojavljajo \u017ee v njenih zgodnjih literarnih besedilih. V romanu Hanka je v liku Kazimirja Staszy\u0144skega upodobila mo\u0161kega, ki ima veliko lastnosti Dimitrija Tucovi\u0107a. Kot \u017eena kraljevskega namestnika za Hrva\u0161ko in Slavonijo je Beograd po vojni ve\u010dkrat obiskala in navezala \u0161tevilne stike, ki jih v nadaljevanju \u010dlanka predstavljamo skozi pisatelji\u010dino korespondenco. Ve\u010dina pisem, napisanih srbskim prijateljicam, je danes izgubljenih, a iz tistih, ki so ohranjena, si lahko ustvarimo podobo pisemskega omre\u017eja Zofke Kveder na Balkanu in tudi razberemo, da so bile na srbskem prostoru z njo povezane predvsem avtorice in feministke. Sledijo \u0161e odzivi na delo in lik Zofke Kveder po njeni smrti \u2013 tako v nekrologih kot v literarnovednih \u0161tudijah, ki so ji bile posve\u010dene. Njeno delo je bilo sprejeto kot pomemben del ju\u017enoslovanske kulture in literature.<\/p>\n<p><em>Klju\u010dne besede<\/em>: Zofka Kveder, srbsko-slovenski literarni stiki, Dimitrije Tucovi\u0107, Milica \u0110uri\u0107 Topalovi\u0107, Julka Chlapec Djordjevi\u0107, Jelena J. Dimitrijevi\u0107<\/p>\n<p>&nbsp;<\/p>\n<p>Katja Mihurko Poni\u017e<br \/>\nUniverzitet u Novoj Gorici<br \/>\nFakultet za humanistiku<br \/>\nSlovenija<br \/>\n<a href=\"mailto:katja.mihurko.poniz@ung.si\">katja.mihurko.poniz@ung.si<\/a><\/p>\n<h4>VEZE ZOFKE KVEDER SA SRPSKIM KULTURNIM PROSTOROM<\/h4>\n<p><em>Sa\u017eetak<\/em>: \u010clanak predstavlja razli\u010dite oblike kulturnih kontakata Zofke Kveder sa srpskim intelektualcima. U prvom delu obra\u0111uju se objave njenih knji\u017eevnih tekstova na srpskom kulturnom prostoru i reakcija kriti\u010dara. U drugom delu, polaze\u0107i od korespondencije Zofke Kveder, rekonstrui\u0161e se odnos izme\u0111u nje i Dimitrija Tucovi\u0107a, koji ju je podstakao da putuje u Srbiju, kuda se ona zaista i uputila neposredno pre Prvog svetskog rata. Taj put je u nastavku \u010dlanka tako\u0111e detaljno opisan. Pa\u017enja se usmerava i na autorkina dela, pre svega na likove Srba i Srpkinja koji se pojavljuju ve\u0107 u njenim ranijim knji\u017eevnim tekstovima. U romanu <em>Hanka<\/em>, u liku Kazimira Sta\u0161injskog (Staszy\u0144skog), ona prikazuje mu\u0161karca sa mnogim karakteristikama Dimitrija Tucovi\u0107a. Kao \u017eena kraljevskog zamenika za Hrvatsku i Slavoniju, posle rata \u010de\u0161\u0107e pose\u0107uje Beograd i razvija mnoga poznanstva, koja u nastavku ovog \u010dlanka predstavljamo kroz njenu korespondenciju. Ve\u0107ina pisama upu\u0107enih srpskim prijateljicama danas je izgubljena, dok na osnovu onih koja su se sa\u010duvala mo\u017eemo zamisliti mre\u017eu prepiske Zofke Kveder na Balkanu, pri \u010demu iz njih, tako\u0111e, mo\u017eemo da razaberemo kako su se na srpskom prostoru sa Zofkom povezivale, pre svega, autorke i feministkinje. U \u010dlanku zatim slede reakcije na rad i lik Zofke Kveder nakon njene smrti \u2013 kako u nekrolozima tako i u knji\u017eevno-nau\u010dnim studijama o njoj. Njen rad je prihva\u0107en kao va\u017ean deo ju\u017enoslovenske kulture i knji\u017eevnosti.<\/p>\n<p><em>Klju\u010dne re\u010di<\/em>: Zofka Kveder, srpsko-slovena\u010dki knji\u017eevni kontakti, Dimitrije Tucovi\u0107, Milica \u0110uri\u010d Topalovi\u0107, Julka Hlapec \u0110ordjevi\u0107, Jelena J. Dimitrijevi\u0107<\/p>\n<p>&nbsp;<\/p>\n<p>Katja Mihurko Poni\u017e<br \/>\nUniversity of Nova Gorica<br \/>\nSchool of Humanities<br \/>\nSlovenia<br \/>\n<a href=\"mailto:katja.mihurko.poniz@ung.si\">katja.mihurko.poniz@ung.si<\/a><\/p>\n<h4>ZOFKA KVEDER&#8217;S LINKS WITH THE SERBIAN CULTURAL SPACE<\/h4>\n<p><em>Abstract<\/em>: The paper presents the various forms of Zofka Kveder&#8217;s cultural contacts with Serbian intellectuals. The first section of the paper deals with the emergence of her literary texts in the Serbian cultural space and the reactions of critics. Based on the correspondence of Zofka Kveder, the second section seeks to reconstruct her relationship with Dimitrije Tucovi\u0107, who encouraged her to travel to Serbia, which she did immediately before World War I. The paper describes the trip in great detail. Attention is drawn to Kveder\u2019s writings and primarily Serbian men and women appearing as characters already in her early literary works. In her novel <em>Hanka<\/em>, through the character Kazimir Staszy\u0144ski she portrayed a man that shared many personal traits with Dimitrije Tucovi\u0107. As the wife of the royal deputy in Croatia and Slavonia, she visited Belgrade more often after the war and she developed many acquaintances, which are presented in the paper through her correspondence. Although the greatest part of the letters sent to her Serbian friends are lost, the surviving ones make it possible to get an idea of Zofka Kveder\u2019s correspondence network in the Balkans. They also suggest that her contacts in the Serbian cultural space primarily included women writers and feminists. The paper also discusses the reactions to her and her work after her death \u2013 both in obituaries and in scholarly studies. Her work has been considered an important segment of South Slavic culture and literature.<\/p>\n<p><em>Keywords<\/em>: Zofka Kveder, literary contacts between Serbia and Slovenia, Dimitrije Tucovi\u0107, Milica \u0110uri\u010d Topalovi\u0107, Julka Chlapec \u0110or\u0111evi\u0107, Jelena J. Dimitrijevi\u0107<\/p>","protected":false},"excerpt":{"rendered":"<p>Slovenika V (2019) 23-48 Znanstveni \u010dlanek UDK: 821.163.6.09:821.163.41.09 821.163.6.09 \u041a\u0432\u0435\u0434\u0435\u0440 \u0417. Tekst primljen za objavljivanje 30. 10. 2019. Besedilo sprejeto za objavo 30. 10. 2019 \u010clanek (PDF) | \u010clanak (PDF) | Paper (PDF) DOI: https:\/\/doi.org\/10.18485\/slovenika.2019.5.1.1 Katja Mihutko Poni\u017e Univerza v Novi Gorici Fakulteta za humanistiko Slovenija katja.mihurko.poniz@ung.si Vezi Zofke Kveder s srbskim kulturnim prostorom Povzetek: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4210","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/4210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/comments?post=4210"}],"version-history":[{"count":5,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/4210\/revisions"}],"predecessor-version":[{"id":4216,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/4210\/revisions\/4216"}],"wp:attachment":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/media?parent=4210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}