{"id":4235,"date":"2020-01-23T13:38:36","date_gmt":"2020-01-23T12:38:36","guid":{"rendered":"https:\/\/slovenci.rs\/?page_id=4235"},"modified":"2020-01-23T13:39:14","modified_gmt":"2020-01-23T12:39:14","slug":"franc-kriznar-slovensko-srbski-kulturni-in-se-posebej-glasbeni-odnosi-glasba-je-brezmejna","status":"publish","type":"page","link":"https:\/\/slovenci.rs\/sl\/franc-kriznar-slovensko-srbski-kulturni-in-se-posebej-glasbeni-odnosi-glasba-je-brezmejna\/","title":{"rendered":"FRANC KRI\u017dNAR, SLOVENSKO SRBSKI KULTURNI IN \u0160E POSEBEJ GLASBENI ODNOSI GLASBA JE BREZMEJNA!"},"content":{"rendered":"

Slovenika V (2019) 111-128
\nPregledni \u010dlanek
\nUDK: 78(497.11:497.4)\u00ab18\/20\u00ab
\nTekst primljen za objavljivanje 30. 10. 2019.
\nBesedilo sprejeto za objavo 30. 10. 2019
\n\u010clanek (PDF) | \u010clanak (PDF) | Paper (PDF)<\/a><\/p>\n

DOI: https:\/\/doi.org\/10.18485\/slovenika.2019.5.1.7<\/a><\/p>\n

Franc Kri\u017enar
\nUniverza v Mariboru
\nCentar za interdisciplinarne in
\nmultidisciplinarne raziskave in \u0161tudije
\nIn\u0161titut glasbenoinformacijskih znanosti<\/p>\n

Slovenija
\nfranc.kriznar@siol.net<\/a><\/p>\n

Slovensko srbski kulturni in \u0161e posebej glasbeni odnosi
\nGlasba je brezmejna! <\/strong><\/p>\n

Povzetek<\/em>: Glasbeni odnosi med Slovenijo in Srbijo so skozi ve\u010d kot 200-letni razvoj ostali bogati in raznoliki. Dolgo sta jih pogojevali skupna politi\u010dna situacija in dr\u017eava (Avstroogrska monarhija, Dr\u017eava SHS, Kraljevina Jugoslavija, FLRJ in SFRJ). Med obema vojnama in zlasti \u0161e po 2. svetovni vojni je bilo medsebojno sodelo-vanje intenzivno, vendar je kasneje, po letu 1991, razvodenelo v naklju\u010dja in posami\u010dnosti, \u010detudi neke vrste sodelovanje obstaja \u0161e dandanes, predvsem na ravni bilaterale, tj. dvostranskosti. V preteklosti pa je obstajal dokaj eno-vit slovanski nacionalni prostor, v katerem z vidika ustvarjalnosti ne moremo spregledati Davorina Jenka. Bil je tisti vezni \u010dlen med Slovenijo in Srbijo, ki dr\u017ei \u0161e dandanes: ustvarjalno, poustvarjalno in pedago\u0161ko. Med mno\u017eico go-stujo\u010dih skladateljev, ustvarjalcev in poustvarjalcev (izvajalcev), pevk in pevcev, dirigentov in instrumentalistov, tako Slovencev kot Srbov, ne morem niti mimo Mihovila Logarja, Marjana Kozine in Zlatana Vaude. Pri\u010dujo\u010da obravnava bo-gate mednarodne izmenjave zajema tudi balet. Gre za povsem druga\u010dno in raznoliko sodelovanje, ki ga je dandanes vse manj: sodelovanje na podro\u010dju (glasbene) umetnosti, pedagogike in znanosti.<\/p>\n

Klju\u010dne besede<\/em>: bilaterala, Jenko, Logar, Kozina, Vauda<\/p>\n

 <\/p>\n

Franc Kri\u017enar
\nUniverzitet u Mariboru
\nCentar za interdisciplinarna i
\nmultidisciplinarna istra\u017eivanja i studije
\nInstitut muzi\u010dkoinformacionih nauka
\nSlovenija
\nfranc.kriznar@siol.net<\/a><\/p>\n

SLOVENA\u010cKO-SRPSKI KULTURNI I, POSEBNO, MUZI\u010cKI ODNOSI
\nMUZIKA JE BEZGRANI\u010cNA!<\/strong><\/p>\n

Sa\u017eetak<\/em>: Muzi\u010dka umetnost je vi\u0161e nego univerzalna, pa danas na toj relaciji postoje samo dr\u017eavne granice, koje vekovima ranije uop\u0161te nisu postojale. Mo\u017eda su upravo zato u prvom planu specifi\u010dni, jo\u0161 samo nacionalni (narodni) elementi i dana\u0161anji aktuelni (muzi\u010dki) modernizam.Kroz vi\u0161e nego dvestagodi\u0161nji razvoj, muzi\u010dki odnosi izme\u0111u Slovenije i Srbije ostaju bogati i raznoliki. Dugo su ih uslovljavale zajedni\u010dka po-liti\u010dka situacija i dr\u017eava (Austrougarska monarhija, Dr\u017eava SHS, Kraljevina Jugoslavija, FNRJ i SFRJ). Izme\u0111u oba velika rata, a posebno nakon Drugog svetskog rata, me\u0111usobna saradnja bila je intenzivna, dok se kasnije, nakon 1991. godine, razvodnila u slu\u010dajnost i pojedina\u010dnost, iako neki oblici saradnje postoje jo\u0161 i danas, pre svega na nivou bilaterale, tj. dvostranih odnosa. Me\u0111utim, kroz istoriju postoji prili\u010dno jedinstven slovenski nacionalni prostor, u kojem, sa gledi\u0161ta stvarala\u0161tva, nije mogu\u0107e prevideti Davorina Jenka. On je bio ta karika izme\u0111u Slovenije i Srbije koja nas spaja jo\u0161 i danas \u2013 svojim stvarala\u0161tvom, njegovim obradama i izvedbama, kao i pedagogijom. U mno\u0161tvu gostuju\u0107ih kompozitora, stvaralaca, interpretatora i izvo\u0111a\u010da, peva\u010dica i peva\u010da, dirigenata i instrumentalista, kako Slovenaca tako i Srba, tako\u0111e ne mo\u017eemo zaobi\u0107i Mihovila Logara, Marjana Kozinu i Zlatana Vaudu. Ovo istra\u017eivanje bavi se bogatim me\u0111unacionalnim razmenama, \u0161to, tako\u0111e, obuhvata i balet. Radi se o sasvim druga\u010dijoj i raznolikoj saradnji, koja je danas sve neuobi\u010dajenija \u2013 o saradnji u oblasti (muzi\u010dke) umetnosti, pedagogije i nauke.<\/p>\n

Klju\u010dne re\u010di<\/em>: bilaterala, Jenko, Logar, Kozina, Vauda<\/p>\n

 <\/p>\n

Franc Kri\u017enar
\nUniversity of Maribor
\nCenter for Interdisciplinary and
\nMultidisciplinary Research and Studies
\nInstitute of Music Information Sciences
\nSlovenija
\nfranc.kriznar@siol.net<\/a><\/p>\n

CULTURAL RELATIONS BETWEEN SERBIA AND SLOVENIA, WITH SPECIAL REFERENCE TO MUSIC
\nMUSIC IS BOUNDLESS!<\/strong><\/p>\n

Abstract<\/em>: The art of music is so ultimately universal that today there are only national borders, which never existed in the past, for centuries. Perhaps this is the reason why vernacular (folk) elements and the current (musical) modernism are in the focus. Over more than two centuries, the musical relations between Slovenia and Serbia have remained vivid and diversified. For long, they were determined by a shared political situation and the state (Austro-Hungarian monarchy, Kingdom of Serbs, Croats and Slovenes, Kingdom of Yugoslavia, Federal People\u2019s Republic of Yugoslavia and the Socialist Federal Republic of Yugoslavia). Between the two great wars, and especially after World War II, the collaboration was intensive. Later, after 1991, it has degraded, becoming merely coincidental and individual, although some forms of collaboration have persisted until this day, primarily at the bilateral level. Nevertheless, throughout history there has existed a rather unified Slavic national space, where, in terms of creative outputs, one must not overlook the contribution of Davorin Jenko. He was a link between Slovenia and Serbia, and he still connects the two countries \u2013 through his works, their interpretations and performances, and educational activities. Among many guest composers, the creators of original works and performers, singers, conductors and instrumentalists, both Slovenian and Serbian, the outstanding figures include Mihovil Logar, Marjan Kozina and Zlatan Vauda. This study covers a vivid international exchange, which also includes ballet. Some forms of collaboration are rather different and diverse, which is increasingly uncommon today, and they include the collaboration in the area of art (of music), education and scholarship.<\/p>\n

Keywords<\/em>: bilateral collaboration, Jenko, Logar, Kozina, Vauda<\/p>","protected":false},"excerpt":{"rendered":"

Slovenika V (2019) 111-128 Pregledni \u010dlanek UDK: 78(497.11:497.4)\u00ab18\/20\u00ab Tekst primljen za objavljivanje 30. 10. 2019. Besedilo sprejeto za objavo 30. 10. 2019 \u010clanek (PDF) | \u010clanak (PDF) | Paper (PDF) DOI: https:\/\/doi.org\/10.18485\/slovenika.2019.5.1.7 Franc Kri\u017enar Univerza v Mariboru Centar za interdisciplinarne in multidisciplinarne raziskave in \u0161tudije In\u0161titut glasbenoinformacijskih znanosti Slovenija franc.kriznar@siol.net Slovensko srbski kulturni in \u0161e […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4235","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/4235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/comments?post=4235"}],"version-history":[{"count":1,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/4235\/revisions"}],"predecessor-version":[{"id":4236,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/4235\/revisions\/4236"}],"wp:attachment":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/media?parent=4235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}