{"id":4385,"date":"2021-02-01T13:32:26","date_gmt":"2021-02-01T12:32:26","guid":{"rendered":"https:\/\/slovenci.rs\/?page_id=4385"},"modified":"2021-02-01T13:34:48","modified_gmt":"2021-02-01T12:34:48","slug":"ivana-vuksanovic-opera-pokondirena-tikva-mihovila-logara-i-zasnivanje-komicnog-muzicko-scenskog-zanra-u-srbiji","status":"publish","type":"page","link":"https:\/\/slovenci.rs\/sl\/ivana-vuksanovic-opera-pokondirena-tikva-mihovila-logara-i-zasnivanje-komicnog-muzicko-scenskog-zanra-u-srbiji\/","title":{"rendered":"IVANA VUKSANOVI\u0106, OPERA POKONDIRENA TIKVA MIHOVILA LOGARA I ZASNIVANJE KOMI\u010cNOG MUZI\u010cKO-SCENSKOG \u017dANRA U SRBIJI"},"content":{"rendered":"

Slovenika VI (2020) 25-48
\nNau\u010dni \u010dlanak
\nUDK: 782.1(497.11)
\n792.54.091(497.11)
\nPrimljeno \/ Prejeto: 10. 06. 2020.
\nPrihva\u0107eno \/ Sprejeto: 04. 12. 2020.
\n\u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF)<\/a><\/p>\n

DOI: https:\/\/doi.org\/10.18485\/slovenika.2020.6.1.2<\/a><\/p>\n

 <\/p>\n

Ivana Vuksanovi\u0107
\nUniverzitet umetnosti u Beogradu
\nFakultet muzi\u010dke umetnosti
\nvuksanovici@fmu.bg.ac.rs<\/a><\/p>\n

Opera Pokondirena tikva<\/em> Mihovila logara i zasnivanje komi\u010dnog muzi\u010dko-scenskog \u017eanra u Srbiji<\/h4>\n

Sa\u017eetak<\/em>: Ustanovljenje muzi\u010dko-scenskog komi\u010dnog \u017eanra u Srbiji dogodilo se tek u drugoj polovini XX veka, ta\u010dnije 1956. godine, pojavom opere Pokondirena tikva<\/em> iz pera kompozitora Mihovila Logara (1902\u20131998), a prema istoimenoj komediji Jovana Sterije Popovi\u0107a. Time je na srpskoj operskoj sceni premo\u0161\u0107en vremenski jaz od preko dva veka od pojave prve komi\u010dne opere u Italiji. Posle 65 godina od nastanka sagledava se zna\u010daj ovog \u017eanra u kulturno-umetni\u010dkom \u017eivotu Srbije pro\u0161log veka, stilski i dramatur\u0161ki dometi Logareve Pokondirene tikve<\/em>, istorijat izvo\u0111enja ove opere i njen uticaj na dalji razvoj \u017eanra u Srbiji. U tekstu se analiti\u010dki razmatraju mehanizmi Logarevog muzi\u010dkog humora, sa posebnim osvrtom na odnos teksta i melodije vokalne deonice, kao i na ulogu orkestracije. Uprkos svojim kompoziciono-tehni\u010dkim i ekspresivno-humornim kvalitetima, Logareva opera nije uspela da se nametne doma\u0107oj publici \u010dak ni kroz savremenije re\u017eije i adaptacije, te se u tekstu kriti\u010dki razmatraju sudbina Pokondirene tikve i recepcija ove opere tokom druge polovine veka kao posledica repertoarske politike srpskih operskih institucija i statusa humora u doma\u0107oj muzi\u010dko-scenskoj umetnosti.<\/p>\n

Klju\u010dne re\u010di<\/em>: Mihovil Logar, bufo opera, Pokondirena tikva<\/em>, muzi\u010dki humor, recepcija<\/p>\n

 <\/p>\n

Ivana Vuksanovi\u0107
\nUniverza umetnosti v Beogradu
\nFakulteta glasbene umetnosti
\nSrbija
\nvuksanovici@fmu.bg.ac.rs<\/a><\/p>\n

OPERA POKONDIRENA TIKVA<\/em> MIHOVILA LOGARJA IN VZPOSTAVITEV KOMI\u010cNEGA GLASBENO SCENSKEGA \u017dANRA V SRBIJI<\/h4>\n

Povzetek<\/em>: Vzpostavitev glasbeno-scenskega komi\u010dnega \u017eanra se je v Srbiji zgodila \u0161ele v drugi polovici 20. stoletja, natan\u010dneje leta 1956, ko se je spod peresa skladatelja Mihovila Logarja (1902\u20131998) pojavila opera po istoimenski komediji Jovana Sterije Popovi\u0107a Pokondirena tikva<\/em>. S tem je bila na srbski operni sceni premo\u0161\u010dena \u010dasovna vrzel ve\u010d kot dveh stoletij, ko se je prva komi\u010dna opera pojavila v Italiji. 65 let po nastanku Logarjeve Pokondirene tikve<\/em> prepoznavam pomen tega \u017eanra za kulturno-umetni\u0161ko \u017eivljenje preteklega stoletja v Srbiji, stilske in dramatur\u0161ke domete Logarjeve opere, zgodovino njenih izvajanj in vpliv na nadaljnji razvoj \u017eanra v Srbiji. V \u010dlanku so analiti\u010dno obravnavani mehanizmi Logarjevega glasbenega humorja, s posebnim ozirom na odnos med besedilom in melodijo vokalne sekcije ter vlogo orkestracije. Kljub kompozicijsko-tehni\u010dnim in ekspresivno-humornim kvalitetam pa se Logarjevi operi ni uspelo pribli\u017eati doma\u010di publiki, niti prek sodobnej\u0161e re\u017eije in prilagoditev, zato v \u010dlanku kriti\u010dno obravnavam usodo Pokondirene tikve in njeno recepcijo v drugi polovici stoletja kot posledico repertoarne politike srbskih opernih institucij in statusa humorja v doma\u010di glasbeno-scenski recepciji.<\/p>\n

Klju\u010dne besede<\/em>: Mihovil Logar, opera buffa, Pokondirena tikva<\/em>, glasbeni humor, recepcija<\/p>\n

 <\/p>\n

Ivana Vuksanovi\u0107
\nUniversity of Arts in Belgrade
\nFaculty of Music
\nSerbia
\nvuksanovici@fmu.bg.ac.rs<\/a><\/p>\n

THE OPERA POKONDIRENA TIKVA<\/em> BY MIHOVIL LOGAR AND THE ESTABLISHMENT OF THE COMIC OPERA GENRE IN SERBIA<\/h4>\n

Abstract<\/em>: The establishment of the comic opera genre in Serbia took place as late as the second half of the 20th<\/sup> century, more precisely in 1956, with the emergence of the opera Pokondirena tikva<\/em> (A Would-be Lady<\/em>), composed by Mihovil Logar (1902\u20131998), based on the eponymous comedy by Jovan Sterija Popovi\u0107. Thus the genre appeared on Serbian opera scene, spanning the gap of more than two centuries since the emergence of the first comic opera in Italy. Sixty-five years after its establishment, it is possible to assess the significance of this genre in Serbia\u2019s cultural and artistic life in the 20th<\/sup> \u00a0century, the stylistic and dramaturgical range of Logar\u2019s Pokondirena tikva<\/em>, the history the opera\u2019s performances and its influence on the further development of the genre in Serbia. The text analytically discusses the mechanisms of Logar\u2019s musical humour, with special reference to the relationship between the text and the melody of the vocal section, as well as the role of orchestration. Despite its compositional and technical features, on the one hand, and expressive and humorous qualities, on the other, Logar\u2019s opera has failed in gaining reception among the local audience in spite of modernized stage productions and adaptations. Accordingly, the text critically discusses the fate of Pokondirena tikva<\/em> and the reception of this opera during the second half of the 20th<\/sup> century as a consequence of the programme policy of opera institutions and the status of humour in local theatrical music performances.<\/p>\n

Keywords<\/em>: Mihovil Logar, opera buffa, Pokondirena tikva<\/em>, musical humour, reception<\/p>","protected":false},"excerpt":{"rendered":"

Slovenika VI (2020) 25-48 Nau\u010dni \u010dlanak UDK: 782.1(497.11) 792.54.091(497.11) Primljeno \/ Prejeto: 10. 06. 2020. Prihva\u0107eno \/ Sprejeto: 04. 12. 2020. \u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF) DOI: https:\/\/doi.org\/10.18485\/slovenika.2020.6.1.2   Ivana Vuksanovi\u0107 Univerzitet umetnosti u Beogradu Fakultet muzi\u010dke umetnosti vuksanovici@fmu.bg.ac.rs Opera Pokondirena tikva Mihovila logara i zasnivanje komi\u010dnog muzi\u010dko-scenskog \u017eanra u Srbiji Sa\u017eetak: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4385","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/4385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/comments?post=4385"}],"version-history":[{"count":1,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/4385\/revisions"}],"predecessor-version":[{"id":4386,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/4385\/revisions\/4386"}],"wp:attachment":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/media?parent=4385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}