{"id":4727,"date":"2022-01-28T13:48:15","date_gmt":"2022-01-28T12:48:15","guid":{"rendered":"https:\/\/slovenci.rs\/?page_id=4727"},"modified":"2022-01-28T13:48:52","modified_gmt":"2022-01-28T12:48:52","slug":"goran-v-andelkovic-prispevek-arhitekta-leonida-leona-lenarcica-k-razvoju-povojne-beograjske-arhitekture","status":"publish","type":"page","link":"https:\/\/slovenci.rs\/sl\/goran-v-andelkovic-prispevek-arhitekta-leonida-leona-lenarcica-k-razvoju-povojne-beograjske-arhitekture\/","title":{"rendered":"GORAN V. AN\u0110ELKOVI\u0106, PRISPEVEK ARHITEKTA LEONIDA LEONA LENAR\u010cI\u010cA K RAZVOJU POVOJNE BEOGRAJSKE ARHITEKTURE"},"content":{"rendered":"<p style=\"text-align: right;\">Slovenika VII (2021) 171-197<br \/>\nZnanstveni \u010dlanek<br \/>\nUDK: 72.071.1 \u041b\u0435\u043d\u0430\u0440\u0447\u0438\u0447 \u041b.<br \/>\n72(497.11)\u201d1951\/1967\u201d<br \/>\nPrimljeno \/ Prejeto \/ Received: 24. 05. 2021.<br \/>\nPrihva\u0107eno \/ Sprejeto \/ Accepted: 20. 10. 2021.<br \/>\n<a href=\"https:\/\/slovenci.rs\/wp-content\/uploads\/2022\/01\/Andjelkovic.pdf\" target=\"_blank\">\u010clanek (PDF) | \u010clanak (PDF) | Paper (PDF)<\/a><\/p>\n<p style=\"text-align: right;\">DOI:\u00a0<a href=\"https:\/\/doi.org\/10.18485\/slovenika.2021.7.1.10\" target=\"_blank\">https:\/\/doi.org\/10.18485\/slovenika.2021.7.1.10<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Goran V. An\u0111elkovi\u0107<\/strong><br \/>\nStudio AG Arhitektura<br \/>\nBeograd, Srbija<br \/>\n<a href=\"mailto:gioranoangelo@gmail.com\">gioranoangelo@gmail.com<\/a><\/p>\n<h4>Prispevek arhitekta Leonida Leona Lenar\u010di\u010da k razvoju povojne beograjske arhitekture<\/h4>\n<p><em>Povzetek<\/em>: Delo slovenskega arhitekta Leonida Leona Lenar\u010di\u010da (1932\u20132011) do sedaj ni bilo podrobneje raziskano v srbski in slovenski strokovni ter znanstveni literaturi. Zato je v tem prispevku obravnavano beograjsko obdobje tega arhitekta, v lu\u010di razvoja povojne beograjske arhitekture. Namen prispevka je podrobno razsvetliti Lenar\u010di\u010devo \u0161tudijsko obdobje (1951\u20131957) in projektantsko dejavnost v povojni beograjski arhitekturi (1957\u20131967) ter opredeliti pomembne faze njegovega razvoja, ugotoviti osnovne in specifi\u010dne zna\u010dilnosti njegove arhitekture ter njegovo avtorsko pozicijo v arhitekturni skupini \u00bbBeograjskih pet\u00ab.<\/p>\n<p><em>Klju\u010dne besede<\/em>: Leonid Leon Lenar\u010di\u010d, povojni modernizem, moderna arhitektura, arhitekturna skupina \u00bbBeograjskih pet\u00ab, 20. stoletje<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u0413\u043e\u0440\u0430\u043d \u0412. \u0410\u043d\u0452\u0435\u043b\u043a\u043e\u0432\u0438\u045b<\/strong><br \/>\nStudio AG Arhitektura<br \/>\n\u0411\u0435\u043e\u0433\u0440\u0430\u0434, \u0421\u0440\u0431\u0438\u0458\u0430<br \/>\n<a href=\"mailto:gioranoangelo@gmail.com\">gioranoangelo@gmail.com<\/a><\/p>\n<h4>\u0414\u041e\u041f\u0420\u0418\u041d\u041e\u0421 \u0410\u0420\u0425\u0418\u0422\u0415\u041a\u0422\u0415 \u041b\u0415\u041e\u041d\u0418\u0414\u0410 \u041b\u0415\u041e\u041d\u0410 \u041b\u0415\u041d\u0410\u0420\u0427\u0418\u0427\u0410 \u0420\u0410\u0417\u0412\u041e\u0408\u0423 \u041f\u041e\u0421\u041b\u0415\u0420\u0410\u0422\u041d\u0415 \u0411\u0415\u041e\u0413\u0420\u0410\u0414\u0421\u041a\u0415 \u0410\u0420\u0425\u0418\u0422\u0415\u041a\u0422\u0423\u0420\u0415<\/h4>\n<p><em>\u0421\u0430\u0436\u0435\u0442\u0430\u043a<\/em>: \u0414\u0435\u043b\u043e \u0441\u043b\u043e\u0432\u0435\u043d\u0430\u0447\u043a\u043e\u0433 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0435 \u041b\u0435\u043e\u043d\u0438\u0434\u0430 \u041b\u0435\u043e\u043d\u0430 \u041b\u0435\u043d\u0430\u0440\u0447\u0438\u0447\u0430 (1932-2011) \u0434\u043e \u0441\u0430\u0434\u0430 \u043d\u0438\u0458\u0435 \u0431\u0438\u043b\u043e \u0434\u0435\u0442\u0430\u0459\u043d\u0438\u0458\u0435 \u0438\u0441\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u0443 \u0441\u0440\u043f\u0441\u043a\u043e\u0458 \u0438 \u0441\u043b\u043e\u0432\u0435\u043d\u0430\u0447\u043a\u043e\u0458 \u0441\u0442\u0440\u0443\u0447\u043d\u043e\u0458 \u0438 \u043d\u0430\u0443\u0447\u043d\u043e\u0458 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0438. \u0417\u0431\u043e\u0433 \u0442\u043e\u0433\u0430 \u0441\u0435 \u0443 \u043e\u0432\u043e\u043c \u0447\u043b\u0430\u043d\u043a\u0443 \u043e\u0431\u0440\u0430\u0452\u0443\u0458\u0435 \u0431\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u0438 \u043f\u0435\u0440\u0438\u043e\u0434 \u043e\u0432\u043e\u0433 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0435, \u0438 \u0442\u043e \u0443 \u0441\u0432\u0435\u0442\u043b\u0443 \u0440\u0430\u0437\u0432\u043e\u0458\u0430 \u043f\u043e\u0441\u043b\u0435\u0440\u0430\u0442\u043d\u0435 \u0431\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435. \u0426\u0438\u0459 \u0440\u0430\u0434\u0430 \u0458\u0435 \u0434\u0430 \u0441\u0435 \u043f\u043e\u0434\u0440\u043e\u0431\u043d\u043e \u0440\u0430\u0441\u0432\u0435\u0442\u043b\u0435 \u041b\u0435\u043d\u0430\u0440\u0447\u0438\u0447\u0435\u0432\u0438 \u043f\u0435\u0440\u0438\u043e\u0434\u0438 \u0441\u0442\u0443\u0434\u0438\u0458\u0430 (1951\u20131957) \u0438 \u043f\u0440\u043e\u0458\u0435\u043a\u0442\u0430\u043d\u0442\u0441\u043a\u0435 \u043f\u0440\u0430\u043a\u0441\u0435 \u0443 \u043f\u043e\u0441\u043b\u0435\u0440\u0430\u0442\u043d\u043e\u0458 \u0431\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u043e\u0458 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0438 (1957\u20131967), \u043a\u0430\u043e \u0438 \u0434\u0430 \u0434\u0435\u0444\u0438\u043d\u0438\u0448\u0435 \u0437\u043d\u0430\u0447\u0430\u0458\u043d\u0435 \u0444\u0430\u0437\u0435 \u045a\u0435\u0433\u043e\u0432\u043e\u0433 \u0440\u0430\u0437\u0432\u043e\u0458\u0430, \u0443\u0442\u0432\u0440\u0434\u0438 \u043e\u0441\u043d\u043e\u0432\u043d\u0435 \u0438 \u0441\u043f\u0435\u0446\u0438\u0444\u0438\u0447\u043d\u0435 \u043a\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0441\u0442\u0438\u043a\u0435 \u045a\u0435\u0433\u043e\u0432\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435, \u0442\u0435 \u045a\u0435\u0433\u043e\u0432\u0443 \u0430\u0443\u0442\u043e\u0440\u0441\u043a\u0443 \u043f\u043e\u0437\u0438\u0446\u0438\u0458\u0443 \u0443 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u043e\u0458 \u0433\u0440\u0443\u043f\u0438 \u00bb\u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u0438\u0445 \u043f\u0435\u0442\u00ab.<\/p>\n<p><em>\u041a\u0459\u0443\u0447\u043d\u0435 \u0440\u0435\u0447\u0438<\/em>: \u041b\u0435\u043e\u043d\u0438\u0434 \u041b\u0435\u043e\u043d \u041b\u0435\u043d\u0430\u0440\u0447\u0438\u0447, \u043f\u043e\u0441\u043b\u0435\u0440\u0430\u0442\u043d\u0438 \u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0437\u0430\u043c, \u043c\u043e\u0434\u0435\u0440\u043d\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430, \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u0430 \u0433\u0440\u0443\u043f\u0430 \u00bb\u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u0438\u0445 \u043f\u0435\u0442\u00ab, 20. \u0432\u0435\u043a<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Goran V. An\u0111elkovi\u0107<\/strong><br \/>\nAG Architecture<br \/>\nBelgrade, Serbia<br \/>\n<a href=\"mailto:gioranoangelo@gmail.com\">gioranoangelo@gmail.com<\/a><\/p>\n<h4>LEONID LEON LENAR\u010cI\u010c\u2019S CONTRIBUTION TO THE DEVELOPMENT OF BELGRADE\u2019S POST-WAR ARCHITECTURE<\/h4>\n<p><em>Abstract<\/em>: So far, the work of the Slovenian architect Leonid Leon Lenar\u010di\u010d (1932\u20132011) has not been the subject of detailed study and scholarly research in Serbian and Slovenian historiography. Therefore, this paper presents his Belgrade period in the light of the development of Belgrade\u2019s post-war architecture. The aim of this paper is to shed light on Lenar\u010di\u010d\u2019s period of studies (1951\u20131957) and design practice (1957\u20131967) in the context of Belgrade\u2019s post-war architecture, and to define the major phases of his development, determine the main and specific characteristics of his architecture and his position as an author in the architectural group Belgrade Five.<\/p>\n<p><em>Keywords<\/em>: Leonid Leon Lenar\u010di\u010d, post-war modernism, modern architecture, architectural Group Belgrade Five, twentieth century<\/p>","protected":false},"excerpt":{"rendered":"<p>Slovenika VII (2021) 171-197 Znanstveni \u010dlanek UDK: 72.071.1 \u041b\u0435\u043d\u0430\u0440\u0447\u0438\u0447 \u041b. 72(497.11)\u201d1951\/1967\u201d Primljeno \/ Prejeto \/ Received: 24. 05. 2021. Prihva\u0107eno \/ Sprejeto \/ Accepted: 20. 10. 2021. \u010clanek (PDF) | \u010clanak (PDF) | Paper (PDF) DOI:\u00a0https:\/\/doi.org\/10.18485\/slovenika.2021.7.1.10 &nbsp; Goran V. An\u0111elkovi\u0107 Studio AG Arhitektura Beograd, Srbija gioranoangelo@gmail.com Prispevek arhitekta Leonida Leona Lenar\u010di\u010da k razvoju povojne beograjske [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4727","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/4727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/comments?post=4727"}],"version-history":[{"count":2,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/4727\/revisions"}],"predecessor-version":[{"id":4730,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/4727\/revisions\/4730"}],"wp:attachment":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/media?parent=4727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}