{"id":5128,"date":"2023-02-12T19:23:59","date_gmt":"2023-02-12T18:23:59","guid":{"rendered":"https:\/\/slovenci.rs\/?page_id=5128"},"modified":"2023-02-12T19:25:22","modified_gmt":"2023-02-12T18:25:22","slug":"neda-nikolic-humor-u-maloj-serenadi-mihovila-logara","status":"publish","type":"page","link":"https:\/\/slovenci.rs\/sl\/neda-nikolic-humor-u-maloj-serenadi-mihovila-logara\/","title":{"rendered":"NEDA NIKOLI\u0106, HUMOR U MALOJ SERENADI MIHOVILA LOGARA"},"content":{"rendered":"<p style=\"text-align: right;\">Slovenika VIII (2022) 75-92<br \/>\nNau\u010dni \u010dlanak<br \/>\nUDK: 786.2.083.089.6<br \/>\n78.071.1 \u041b\u043e\u0433\u0430\u0440 \u041c.<br \/>\nPrimljeno \/ Prejeto \/ Received: 07. 07. 2022.<br \/>\nPrihva\u0107eno \/ Sprejeto \/ Accepted: 07. 12. 2022.<br \/>\n<a href=\"https:\/\/slovenci.rs\/wp-content\/uploads\/2023\/02\/Neda_Nikolic.pdf\">\u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF)<\/a><\/p>\n<p style=\"text-align: right;\">DOI: <a href=\"https:\/\/doi.org\/10.18485\/slovenika.2022.8.1.3\" target=\"_blank\">https:\/\/doi.org\/10.18485\/slovenika.2022.8.1.3<\/a><\/p>\n<p><strong>Neda Nikoli\u0107<br \/>\n<\/strong>Univerzitet u Ni\u0161u<br \/>\nFakultet umetnosti<br \/>\nSrbija<br \/>\n<a href=\"mailto:nikolic.neda95@gmail.com\">nikolic.neda95@gmail.com<\/a><\/p>\n<h4>Humor u <em>Maloj serenadi<\/em> Mihovila Logara<\/h4>\n<p><em>Sa\u017eetak<\/em>: Polazi\u0161na ta\u010dka za sagledavanje na\u010dina na koji se humor manifestovao u <em>Maloj serenadi<\/em> Mihovila Logara bila je teorija inkongruencije. Ona se pokazala pogodnom upravo zbog toga \u0161to sam humor proizlazi iz kontradiktornih ideja, kojima se posti\u017ee efekat iznena\u0111enja. Na osnovu teorije inkongruencije, sagledavanje na\u010dina na koji se humor manifestuje u Logarovoj <em>Maloj serenadi<\/em> bi\u0107e pra\u0107eno i kroz paralelno tuma\u010denje konteksta dela, kao i kompozicionih tehnika koje su u slu\u017ebi isticanja komi\u010dnosti, \u0161to predstavlja cilj ovog rada. S obzirom na zna\u010daj i status inicijalnog motiva u konstrukciji komi\u010dnog muzi\u010dkog toka, deo rada \u0107e se fokusirati i na Monelovu (<em>Raymond Monelle<\/em>) strukturalnu semiotika, kao i na Riveovu (<em>Nicolas Ruwet<\/em>) distributivnu analizu. Suprotnosti na razli\u010ditim nivoima muzi\u010dkog toka, postignute razli\u010ditim postupcima Mihovila Logara u okviru \u017eanra serenade, formirale su humor u njegovoj <em>Maloj serenadi<\/em>.<\/p>\n<p><em>Klju\u010dne re\u010di<\/em>: humor, teorija inkongruencije, Mihovil Logar, <em>Mala serenada<\/em>, strukturalna semiotika<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Neda Nikoli\u0107<br \/>\n<\/strong>Univerza v Ni\u0161u<br \/>\nFakulteta umetnosti<br \/>\nSrbija<br \/>\n<a href=\"mailto:nikolic.neda95@gmail.com\">nikolic.neda95@gmail.com<\/a><\/p>\n<h4>HUMOR V DELU <em>MALA SERENADA<\/em> MIHOVILA LOGARJA<\/h4>\n<p><em>Povzetek<\/em>: Izhodi\u0161\u010de za pogled na na\u010din manifestacije humorja v <em>Mali serenadi<\/em> Mihovila Logarja je bila teorija inkongruence. Izkazalo se je kot primerno prav zato, ker sam humor izhaja iz kontradiktornih idej, ki \u017eelijo presenetiti. Na podlagi teorije inkongruence bomo ob razumevanju na\u010dina manifestiranja humorja v Logarjevi <em>Mali serenadi<\/em> spremljali vzporedno interpretacijo konteksta dela, pa tudi kompozicijskih tehnik, ki slu\u017eijo poudarjanju komi\u010dnosti, kar je cilj tega \u010dlanka. Glede na pomen in status izhodi\u0161\u010dnega motiva v konstrukciji komi\u010dnega glasbenega toka se bo del prispevka osredoto\u010dil na strukturno semiotiko Raymonda Monellea (<em>Raymond Monelle<\/em>) ter na Riveovo (<em>Nicolas Ruwet<\/em>) distributivno analizo. Protislovja na razli\u010dnih ravneh glasbenega toka, dose\u017eena z razli\u010dnimi dejanji Mihovila Logarja v \u017eanru serenade, so oblikovala humor v njegovi <em>Mali serenadi<\/em>.<\/p>\n<p><em>Klju\u010dne besede<\/em>: humor, teorija inkongruence, Mihovil Logar, <em>Mala serenada<\/em>, strukturna semiotika<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Neda Nikoli\u0107<br \/>\n<\/strong>University of Ni\u0161<br \/>\nFaculty of Arts<br \/>\nSerbia<br \/>\n<a href=\"mailto:nikolic.neda95@gmail.com\">nikolic.neda95@gmail.com<\/a><\/p>\n<h4>HUMOUR IN MIHOVIL LOGAR\u2019S <em>SERENATELLA<\/em><\/h4>\n<p><em>Abstract<\/em>: The starting point for the analysis of the manifestations of humour in Mihovil Logar\u2019s <em>Serenatella <\/em>is the theory of incongruence. It is proven to be suitable because humour arises from contradictory ideas aiming at a surprise effect. Based on the theory of incongruence, the analysis of the manifestations of humour in Logar\u2019s <em>Serenatella<\/em> will involve a parallel interpretation of the context of the composition, as well as the compositional techniques used to emphasize the comic character, which is the aim of this paper. Keeping in mind the importance and the status of the initial motif in the construction of the comic music flow, a part of the paper will focus on Raymond Monelle\u2019s structural semantics and Nicolas Ruwet\u2019s distributive analysis. Contradictions at different levels of the musical flow, created via different composer\u2019s procedures in the scope of serenade as a genre, form humor in Logar\u2019s <em>Serenatell<\/em>a.<\/p>\n<p><em>Keywords<\/em>: humour, theory of incongruence, Mihovil Logar, <em>Serenatella<\/em>, structural semantics<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Slovenika VIII (2022) 75-92 Nau\u010dni \u010dlanak UDK: 786.2.083.089.6 78.071.1 \u041b\u043e\u0433\u0430\u0440 \u041c. Primljeno \/ Prejeto \/ Received: 07. 07. 2022. Prihva\u0107eno \/ Sprejeto \/ Accepted: 07. 12. 2022. \u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF) DOI: https:\/\/doi.org\/10.18485\/slovenika.2022.8.1.3 Neda Nikoli\u0107 Univerzitet u Ni\u0161u Fakultet umetnosti Srbija nikolic.neda95@gmail.com Humor u Maloj serenadi Mihovila Logara Sa\u017eetak: Polazi\u0161na ta\u010dka [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5128","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/comments?post=5128"}],"version-history":[{"count":4,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5128\/revisions"}],"predecessor-version":[{"id":5133,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5128\/revisions\/5133"}],"wp:attachment":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/media?parent=5128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}