{"id":5486,"date":"2024-01-24T03:03:14","date_gmt":"2024-01-24T02:03:14","guid":{"rendered":"https:\/\/slovenci.rs\/?page_id=5486"},"modified":"2024-01-24T03:14:55","modified_gmt":"2024-01-24T02:14:55","slug":"anica-sabo-zlatan-vauda-1923-2010-retrospekcije-izazovi-tumacenja-muzickog-toka","status":"publish","type":"page","link":"https:\/\/slovenci.rs\/sl\/anica-sabo-zlatan-vauda-1923-2010-retrospekcije-izazovi-tumacenja-muzickog-toka\/","title":{"rendered":"ANICA SABO, ZLATAN VAUDA (1923\u20132010) \u2013 RETROSPEKCIJE: IZAZOVI TUMA\u010cENJA MUZI\u010cKOG TOKA"},"content":{"rendered":"

Slovenika IX (2023) 23-36
\nNau\u010dni \u010dlanak
\nUDK: 780.614.332\/.334.089.6
\n78.071.1 \u0412\u0430\u0443\u0434\u0430 \u0417.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Primljeno \/ Prejeto \/ Received: 19. 07. 2023.
\nPrihva\u0107eno \/ Sprejeto \/ Accepted: 23. 11. 2023.
\n\u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF)<\/a><\/p>\n

\u00a0DOI: https:\/\/doi.org\/10.18485\/slovenika.2023.9.1.1<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

Anica Sabo
\nUniverzitet umetnosti u Beogradu
\nFakultet muzi\u010dke umetnosti
\nSrbija
\nanicasabo310@gmail.com<\/a><\/p>\n

Zlatan Vauda (1923\u20132010) \u2013 Retrospekcije<\/em>: izazovi tuma\u010denja muzi\u010dkog toka<\/h4>\n

Sa\u017eetak<\/em>: Zlatan Vauda (1923\u20132010), kompozitor, dirigent i vokalni pedagog, dao je zna\u010dajan doprinos muzi\u010dkom \u017eivotu u Srbiji na svim pomenutim poljima njegovog delovanja. Njegov kompozitorski opus obuhvata simfonijska, horska i brojna kamerna dela. Kompozicija Retrospekcije<\/em> za violinu i violon\u010delo, koja je predmet ovog rada, deo je njegovog obimnog i zna\u010dajnog kamernog stvarala\u0161tva. Delo se sagledava iz perspektive analize fenomena muzi\u010dkog toka. Posebna pa\u017enja je usmerena na poku\u0161aj da se otvore i konkretizuju pitanja vezana za postojanja identifikacionog znaka u muzi\u010dkom toku njegovih dela, prepoznatljivog pod, na prvi pogled, veoma jednostavnim i uop\u0161tenim nazivom tri akorda<\/em> Zlatana Vaude. Autor je sam ukazivao na postojanje ovog fenomena (tri akorda<\/em>) u svojim delima, isti\u010du\u0107i dramati\u010dne okolnosti pod kojima ih je njegov sluh otkrio. Naime, Zlatan Vauda je samo sticajem okolnosti pre\u017eiveo streljanje u Kragujevcu 21. oktobra 1941. godine. Od tog momenta tri akorda<\/em> su na razli\u010dite na\u010dine postala i ostala trajno urezana u njegovo stvarala\u0161tvo. U se\u0107anjima savremenika upisana su saznanja o postojanju posebnih sazvu\u010dja koja artikuli\u0161u zvu\u010dnu sliku kompozicija ovog stvaraoca, a u njegovoj zaostav\u0161tini prona\u0111eni su i pisani tragovi o tome. Pored op\u0161tih uvida u kamerni opus autora, posebno je sagledana kompozicija Retrospekcije<\/em>, a pokrenuta su i istra\u017eivanja vezana za fenomen poznat kao tri akorda<\/em> Zlatana Vaude.<\/p>\n

Klju\u010dne re\u010di<\/em>: Zlatan Vauda, Retrospekcije<\/em>, muzi\u010dka analiza, muzi\u010dki tok, tri akorda<\/em><\/p>\n

 <\/p>\n

Anica Sabo
\nUniverza umetnosti v Beogradu
\nFakulteta za glasbeno umetnost
\nSrbija
\nanicasabo310@gmail.com<\/a><\/p>\n

ZLATAN VAUDA (1923\u20132010) \u2013 RETROSPEKCIJE<\/em>: IZZIVI TOLMA\u010cENJA GLASBENEGA TOKA<\/h4>\n

Povzetek<\/em>: Zlatan Vauda (1923\u20132010), skladatelj, dirigent in vokalni pedagog, je pomembno prispeval h glasbenemu \u017eivljenju v Srbiji, na vseh omenjenih podro\u010djih njegovega delovanja. Njegov skladateljski opus zajema simfoni\u010dna, zborovska in \u0161tevilna komorna dela. Skladba Retrospekcije<\/em> za violino in violon\u010delo, ki je obravnavana v pri\u010dujo\u010dem \u010dlanku, je del njegovega obse\u017enega in pomembnega komornega ustvarjanja. Delo se obravnava s stali\u0161\u010da analize fenomena glasbenega toka. Posebna pozornost je usmerjena na poskus odpiranja in konkretiziranja vpra\u0161anj, ki so v zvezi z obstojem identifikacijske oznake v glasbenem toku njegovih del, in so na prvi pogled prepoznavna pod zelo enostavnim in posplo\u0161enim imenom trije akordi<\/em> Zlatana Vaude. Avtor je tudi sam omenjal njihov obstoj (treh akordov<\/em>) v svojih delih, in je poudarjal dramati\u010dne okoli\u0161\u010dine, v katerih jih je njegov posluh odkril. Namre\u010d, Zlatan Vauda je samo po neverjetnem naklju\u010dju pre\u017eivel mno\u017ei\u010dno streljanje v Kragujevcu 21. oktobra 1941. Od tega trenutka so trije akordi<\/em> na razli\u010dne na\u010dine postali in ostali trajno vrezani v njegovo ustvarjanje. V spominih so[1]dobnikov so vpisana spoznanja o obstoju posebnih sozvo\u010dij, ki artikulirajo zvo\u010dno sliko skladb tega ustvarjalca, v njegovi zapu\u0161\u010dini pa o tem obstajajo tudi pisne sledi. Poleg splo\u0161nih vpogledov v komorni opus avtorja, se posebno obravnava skladba Retrospekcije<\/em>, in so tudi spro\u017eene raziskave v zvezi s fenomenom znanim kot trije akordi <\/em>Zlatana Vaude.<\/p>\n

Klju\u010dne besede<\/em>: Zlatan Vauda, Retrospekcije<\/em>, glasbena analiza, glas[1]beni tok, trije akordi<\/em><\/p>\n

 <\/p>\n

Anica Sabo
\nUniversity of Arts in Belgrade
\nFaculty of Music
\nSerbia
\nanicasabo310@gmail.com<\/a><\/p>\n

ZLATAN VAUDA (1923\u20132010) \u2013 RETROSPECTIONS<\/em>: CHALLENGES IN INTERPRETING MUSICAL FLOW<\/h4>\n

Abstract:<\/em> Zlatan Vauda (1923\u20132010), composer, conductor and vocal pedagogue, made a significant contribution to musical life in Serbia in all of the aforementioned fields of activity. His oeuvre as a composer includes symphonic, choral and numerous chamber pieces. The composition Retrospection <\/em>for violin and cello, discussed in this paper, belongs to his abundant and significant work in the area of chamber music. His work is presented in the context of the analysis of the phenomenon of musical flow. It is with special attention that the author seeks to raise and more specifically define the issues related to the existence of an identification sign in the musical flow of Vauda\u2019s works, known under the seemingly simple and general name of Zlatan Vauda\u2019s three chords<\/em>. The composer made references to the existence of this phenomenon (three chords<\/em>) in his works, highlighting the dramatic circumstances under which they were discovered by his sense of hearing. Namely, it was by chance that Zlatan Vauda survived the shooting in Kragujevac on 21 October 1941. From that moment on, the three chords<\/em> got permanently imprinted in his creative work in various ways. The memories of his contemporaries reveal their awareness of the existence of peculiar chords that articulated the sonic image of his compositions, and written evidence of this was also found in his belongings. In addition to a general insight into Vauda\u2019s chamber compositions, the paper offers an analysis of his composition Retrospection, while also instigating the study of the phenomenon known as Zlatan Vauda\u2019s three chords<\/em>.<\/p>\n

Keywords<\/em>: Zlatan Vauda, Retrospections<\/em>, musical analysis, musical flow, three chords<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Slovenika IX (2023) 23-36 Nau\u010dni \u010dlanak UDK: 780.614.332\/.334.089.6 78.071.1 \u0412\u0430\u0443\u0434\u0430 \u0417. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Primljeno \/ Prejeto \/ Received: 19. 07. 2023. Prihva\u0107eno \/ Sprejeto \/ Accepted: 23. 11. 2023. \u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF) \u00a0DOI: https:\/\/doi.org\/10.18485\/slovenika.2023.9.1.1     Anica Sabo Univerzitet umetnosti u Beogradu Fakultet muzi\u010dke umetnosti Srbija anicasabo310@gmail.com Zlatan Vauda (1923\u20132010) \u2013 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5486","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/comments?post=5486"}],"version-history":[{"count":4,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5486\/revisions"}],"predecessor-version":[{"id":5491,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5486\/revisions\/5491"}],"wp:attachment":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/media?parent=5486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}