{"id":5492,"date":"2024-01-24T03:19:46","date_gmt":"2024-01-24T02:19:46","guid":{"rendered":"https:\/\/slovenci.rs\/?page_id=5492"},"modified":"2024-01-24T03:19:46","modified_gmt":"2024-01-24T02:19:46","slug":"vanja-grbovic-decja-opera-jezeva-kuca-zlatana-vaude-u-svetlu-razlicitih-interpretacija","status":"publish","type":"page","link":"https:\/\/slovenci.rs\/sl\/vanja-grbovic-decja-opera-jezeva-kuca-zlatana-vaude-u-svetlu-razlicitih-interpretacija\/","title":{"rendered":"VANJA GRBOVI\u0106, DE\u010cJA OPERA \u201eJE\u017dEVA KU\u0106A\u201c ZLATANA VAUDE U SVETLU RAZLI\u010cITIH INTERPRETACIJA"},"content":{"rendered":"

Slovenika IX (2023) 37-60
\nPregledni \u010dlanak
\nUDK: 782
\n78.071.1 \u0412\u0430\u0443\u0434\u0430 \u0417.
\nPrimljeno \/ Prejeto \/ Received: 30. 06. 2023.
\nPrihva\u0107eno \/ Sprejeto \/ Accepted: 23. 11. 2023.
\n\u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF)<\/a><\/p>\n

DOI: https:\/\/doi.org\/10.18485\/slovenika.2023.9.1.2<\/a><\/p>\n

Vanja Grbovi\u0107
\nMuzikolo\u0161ki institut SANU
\nBeograd, Srbija
\nvanja88@msn.com<\/a><\/p>\n

De\u010dja opera Je\u017eeva ku\u0107a<\/em> Zlatana Vaude u svetlu razli\u010ditih interpretacija<\/h4>\n

Sa\u017eetak<\/em>: U periodu jugoslovenskog socijalizma posebna pa\u017enja bila je usmerena na stvarala\u0161tvo za decu, koje su podr\u017eavale produkcije plo\u010da, izdava\u010dke ku\u0107e i kulturne institucije, \u0161to je doprinelo tome da razli\u010diti \u017eanrovi budu pribli\u017eeni najmla\u0111oj publici. Slovena\u010dki kompozitor Zlatan Vauda, uz saradnju sa libretistom Jovanom Aleksi\u0107em, komponuje de\u010dju operu Je\u017eeva ku\u0107a<\/em> na stihove Branka \u0106opi\u0107a (1957). Ona je, uz podr\u0161ku Radio-televizije Beograd, imala prvo televizijsku realizaciju (1959), a zatim praizvedbu na sceni Narodnog pozori\u0161ta u Sarajevu (1963) i premijeru u Narodnom pozori\u0161tu u Beogradu (1974). Tema ovog rada odnosi se na razli\u010dite interpretacije pomenutog dela \u2013 od \u201ema\u0161tovite, poput bajke\u201c verzije u Sarajevu do \u201eborbene drame\u201c u beogradskoj verziji. S tim u vezi, u radu se analizira delo na nivou kompozitorove ideje (partitura) i na nivou realizacije (rediteljska interpretacija) i recepcije dela (muzi\u010dka kritika).<\/p>\n

Klju\u010dne re\u010di<\/em>: de\u010dja opera, Je\u017eeva ku\u0107a<\/em>, Zlatan Vauda, interpretacija<\/p>\n

 <\/p>\n

Vanja Grbovi\u0107
\nMuzikolo\u0161ki in\u0161titut SANU
\nBeograd, Srbija
\nvanja88@msn.com<\/a><\/p>\n

OTRO\u0160KA OPERA JE\u017dEVA HI\u0160ICA<\/em> ZLATANA VAUDE V LU\u010cI RAZLI\u010cNIH INTERPRETACIJ<\/h4>\n

Povzetek<\/em>: V obdobju jugoslovanskega socializma je posebna pozornost bila usmerjena v ustvarjanje za otroke, kar so podpirale produkcije plo\u0161\u010d, zalo\u017eniki in kulturne in\u0161titucije, in to je prispevalo, da se razli\u010dni \u017eanri pribli\u017eajo najmlaj\u0161i publiki. Slovenski skladatelj Zlatan Vauda je, v sodelovanju z libretistom Jovanom Aleksi\u0107em, komponiral otro\u0161ko opero Je\u017eeva hi\u0161a<\/em>, na verze Branka \u0106opi\u0107a (1957). Ob podpori Radio-televizije Beograd, je opera imela prvo televizijsko predstavi[1]tev (1959), potem pa tudi praizvedbo na odru Narodnega gledali\u0161\u010da v Sarajevu (1963) in premiero v Narodnem gledali\u0161\u010du v Beogradu (1974). Tema tega prispevka se nana\u0161a na razli\u010dne interpretacije omenjenega dela \u2013 od \u00bbzasanjane, kot pravljica\u00ab verzije v Sarajevu, do \u00bbbojevite drame\u00ab v beograjski verziji. V zvezi s tem se v prispevku analizira delo na ravni skladateljeve ideje (partitura) in na ravni realizacije (re\u017eiserska interpretacija) ter recepcije dela (glasbena kritika).<\/p>\n

Klju\u010dne besede<\/em>: otro\u0161ka opera, Je\u017eeva hi\u0161a<\/em>, Zlatan Vauda, interpretacija<\/p>\n

 <\/p>\n

Vanja Grbovi\u0107
\nInstitute of Musicology SASA
\nBelgrade, Serbia
\nvanja88@msn.com<\/a><\/p>\n

CHILDREN\u2019S OPERA HEDGEHOG\u2019S HOME<\/em> BY ZLATAN VAUDA IN THE LIGHT OF DIVERSE INTERPRETATIONS<\/h4>\n

Abstract<\/em>: In the socialist period in Yugoslavia, special attention was focused on the creative production for children, which was supported by record production companies, publishing houses and cultural institutions, bringing various genres closer to the youngest audience. The Slovenian composer Zlatan Vauda, in collaboration with the librettist Jovan Aleksi\u0107, composed the children\u2019s opera Hedgehog\u2019s Home<\/em>, based on a poem by Branko \u0106opi\u0107 (1957). With the support of the Radio Television Belgrade, it was first produced as a TV show (1959) and then premiered on the stage of the National Theatre in Sarajevo (1963) and the National Theatre in Belgrade (1974). The paper deals with the different interpretations of this work \u2013 from the \u201cimaginative, fairy tale-like\u201d Sarajevo version to the Belgrade \u201cbattle drama\u201d. In this regard, the work is analyzed on the plane of the composer\u2019s idea (score), on the plane of realization (director\u2019s interpretation) and in the context of the reception of the work (musical criticism).<\/p>\n

Keywords<\/em>: children\u2019s opera, Hedgehog\u2019s Home<\/em>, Zlatan Vauda, interpretation<\/p>\n","protected":false},"excerpt":{"rendered":"

Slovenika IX (2023) 37-60 Pregledni \u010dlanak UDK: 782 78.071.1 \u0412\u0430\u0443\u0434\u0430 \u0417. Primljeno \/ Prejeto \/ Received: 30. 06. 2023. Prihva\u0107eno \/ Sprejeto \/ Accepted: 23. 11. 2023. \u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF) DOI: https:\/\/doi.org\/10.18485\/slovenika.2023.9.1.2 Vanja Grbovi\u0107 Muzikolo\u0161ki institut SANU Beograd, Srbija vanja88@msn.com De\u010dja opera Je\u017eeva ku\u0107a Zlatana Vaude u svetlu razli\u010ditih interpretacija […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5492","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/comments?post=5492"}],"version-history":[{"count":1,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5492\/revisions"}],"predecessor-version":[{"id":5493,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5492\/revisions\/5493"}],"wp:attachment":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/media?parent=5492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}