{"id":5501,"date":"2024-01-24T03:30:47","date_gmt":"2024-01-24T02:30:47","guid":{"rendered":"https:\/\/slovenci.rs\/?page_id=5501"},"modified":"2024-01-24T03:30:47","modified_gmt":"2024-01-24T02:30:47","slug":"nina-aksic-oslusnimo-koncertni-plakat-i-program-zlatan-vauda-i-decji-hor-rtb","status":"publish","type":"page","link":"https:\/\/slovenci.rs\/sl\/nina-aksic-oslusnimo-koncertni-plakat-i-program-zlatan-vauda-i-decji-hor-rtb\/","title":{"rendered":"NINA AKSI\u0106, OSLU\u0160NIMO KONCERTNI PLAKAT I PROGRAM: ZLATAN VAUDA I DE\u010cJI HOR RTB"},"content":{"rendered":"

\u00a0Slovenika IX (2023) 107-137
\nNau\u010dni \u010dlanak
\nUDK: 766(497.11)“1953\/1986″
\n78.087.681:785.6(497.11)“1953\/1986″
\n78.071.2 \u0412\u0430\u0443\u0434\u0430 \u0417.
\nPrimljeno \/ Prejeto \/ Received: 08. 07. 2023.
\nPrihva\u0107eno \/ Sprejeto \/ Accepted: 23. 11. 2023.
\n\u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF)<\/a><\/p>\n

DOI: https:\/\/doi.org\/10.18485\/slovenika.2023.9.1.5<\/a><\/p>\n

 <\/p>\n

Nina Aksi\u0107
\nEtnografski institut SANU
\nBeograd, Srbija
\nnina.aksic@ei.sanu.ac.rs<\/a><\/p>\n

Oslu\u0161nimo koncertni plakat i program: Zlatan Vauda i De\u010dji hor RTB<\/h4>\n

Sa\u017eetak<\/em>:\u00a0 Arhivsk\u0430 dokument\u0430 va\u017ean su element u rekonstrukciji odre\u0111enih doga\u0111a[1]ja iz dalje ili bli\u017ee pro\u0161losti, kao i \u017eivota i rada pojedinaca i institucija. U ovom radu dat je pregled jednog dela gra\u0111e iz li\u010dnog fonda Zlatana Vaude, a pre svega opis Vaudinih koncerata s De\u010djim horom RTB na osnovu sa\u010duvanih koncertnih plakata i druge gra\u0111e iz perioda od 1953. do 1986. godine. Rad je pisan s ciljem da se dopune dosada\u0161nja saznanja o delovanju ovog slovena\u010dko-srpsko-jugoslovenskog kompozitora kao dirigenta i \u0161efa De\u010djeg hora RTB. Poku\u0161ali smo da sagledamo doprinos Zlatana Vaude pozicioniranju De\u010djeg hora RTB na jugoslovenskoj kulturnoj sceni, te da predstavimo Vaudu kao aktera u sprovo\u0111enju, a delimi\u010dno i kreiranju kulturne politike u domenu horskog rada s decom, na koju je uticao kao kompozitor. Za rasvetljavanje zna\u010daja i mesta Zlatana Vaude i De\u010djeg hora RTB u okvirima dr\u017eavne kulturne politike od pomo\u0107i su nam bili zapisi o organizaciji hora pred nastupe i putovanja, kao i koncertni programi (numere koje su izvo\u0111ene) i podaci o povodima za organizovanje koncerata (dr\u017eavni praznici, jubileji dr\u017eavnih institucija i dr.).<\/p>\n

Klju\u010dne re\u010di<\/em>: Zlatan Vauda, De\u010dji hor RTB, koncertni plakati i programi, horska muzika, kulturna politika u socijalizmu<\/p>\n

 <\/p>\n

Nina Aksi\u0107
\nEtnografski in\u0161titut SANU
\nBeograd, Srbija
\nnina.aksic@ei.sanu.ac.rs<\/a><\/p>\n

PRISLUHNIMO KONCERTNEMU PLAKATU IN PROGRAMU: ZLATAN VAUDA IN OTRO\u0160KI ZBOR RTB<\/h4>\n

Povzetek<\/em>: Arhivski dokumenti so pomemben element v rekonstrukciji dolo\u010denih dogodkov iz daljnje ali bli\u017eje preteklosti, ter \u017eivljenja in dela posameznikov in in\u0161titucij. V pri\u010dujo\u010dem prispevku je predstavljen pregled dela gradiva iz osebnega fonda Zlatana Vaude, predvsem pa opis Vaudinih koncertov z Otro\u0161kim zborom RTB, na podlagi ohranjenih koncertnih plakatov in drugega gradiva iz obdobja od 1953 do 1986. \u010clanek je napisan z namenom dopolnitve dosedanjih spoznanj o delovanju tega slovensko-srbsko-jugoslovanskega skladatelja, kot dirigenta in vodje Otro\u0161kega zbora RTB. Poskusili smo zajeti doprinos Zlatana Vaude pozicioniranju Otro\u0161kega zbora RTB na jugoslovanski kulturni sceni, in predstaviti Vaudo kot udele\u017eenca v izvajanju, in delno tudi ustvarjanju kulturne politike na podro\u010dju zborovskega dela z otroki, na katerega je vplival kot skladatelj. V rasvetlitvi pomena in mesta Zlatana Vaude ter Otro\u0161kega zbora RTB v okvirih dr\u017eavne kulturne politike, smo izhajali iz zapisov o organizaciji zbora pred nastopi in potovanji, ter iz koncertnih programov (naslovi, ki so bili izvajani) ter podatkov o prilo\u017enostih za organiziranje koncertov (dr\u017eavni prazniki, jubileji dr\u017eavnih in\u0161titucij ipd.).<\/p>\n

Klju\u010dne besede<\/em>: Zlatan Vauda, Otro\u0161ki zbor RTB, koncertni plakati in programi, zborovska glasba, kulturna politika v socializmu<\/p>\n

 <\/p>\n

Nina Aksi\u0107
\nInstitute of Ethnography SASA
\nBelgrade, Serbia
\nnina.aksic@ei.sanu.ac.rs<\/a><\/p>\n

LET\u2019S HAVE A LOOK AT THE CONCERT POSTER AND PROGRAMME: ZLATAN VAUDA AND \u0422HE RADIO TELEVISION BELGRADE CHILDREN\u2019S CHOIR<\/h4>\n

Abstract<\/em>: Archival documents are an important element in the reconstruction of events from the distant or recent past, as well as of the life and work of individuals and institutions. This paper presents an overview of some materials from Zlatan Vauda\u2019s personal belongings, and, most importantly, a description of Vauda\u2019s concerts with the Radio Television Belgrade Children\u2019s Choir based on the surviving concert posters and other materials dating from between 1953 and 1986. It was written with the aim of adding to the previous knowledge about the activities of this Slovenian, Serbian and Yugoslav composer as the conductor and head of the Radio Television Belgrade Children\u2019s Choir. We seek to assess Zlatan Vauda\u2019s contribution to the positioning of this choir on the Yugoslav cultural scene, and to present Vauda as an actor in the implementation and, to some extent, in the creation of cultural policy in the field of choral work with children, where he also made an impact as a composer. To shed light on the importance and place of Zlatan Vauda and the Radio Television Belgrade Children\u2019s Choir in the context of the national cultural policy, the written records relating to the organization of the choir before performances and trips, as well as concert programmes (the compositions performed) and the information on the occasions for organizing concerts (public holidays, anniversaries of state institutions, etc.) were helpful.<\/p>\n

Keywords<\/em>: Zlatan Vauda, Radio Television Belgrade Children\u2019s Choir, concert posters and programmes, choral music, cultural policy in socialism<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0Slovenika IX (2023) 107-137 Nau\u010dni \u010dlanak UDK: 766(497.11)“1953\/1986″ 78.087.681:785.6(497.11)“1953\/1986″ 78.071.2 \u0412\u0430\u0443\u0434\u0430 \u0417. Primljeno \/ Prejeto \/ Received: 08. 07. 2023. Prihva\u0107eno \/ Sprejeto \/ Accepted: 23. 11. 2023. \u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF) DOI: https:\/\/doi.org\/10.18485\/slovenika.2023.9.1.5   Nina Aksi\u0107 Etnografski institut SANU Beograd, Srbija nina.aksic@ei.sanu.ac.rs Oslu\u0161nimo koncertni plakat i program: Zlatan Vauda i […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5501","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5501","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/comments?post=5501"}],"version-history":[{"count":1,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5501\/revisions"}],"predecessor-version":[{"id":5502,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5501\/revisions\/5502"}],"wp:attachment":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/media?parent=5501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}