Slovenika X (2024) 57-78
\nZnanstveni \u010dlanek
\nUDK: 821.163.6(44).09-1 \u041a\u0430\u0443\u0447\u0438\u0447 \u0412.<\/p>\n
Prejeto \/ Primljeno \/ Received: 25. 06. 2024. <\/p>\n Urh Ferle\u017e Povzetek<\/em>: V prispevku je predstavljeno \u017eivljenje in delo slovenskega izseljenskega umetnika Vladimirja Kau\u010di\u010da \u2013 Jeana Vodaina, ki je dobr\u0161en del svojega \u017eivljenja pre\u017eivel v francoski Loreni. Gre za vsestranskega avtorja (pesnika, slikarja, tipografa, grafika, zalo\u017enika tiskarja, prevajalca) z velikim opusom, ki pa \u0161e ni bil dele\u017een ve\u010dje raziskovalne pozornosti. \u010clanek predstavlja osnovne zna\u010dilnosti Vodainovega pesni\u0161kega opusa, ki zajema trinajst pesni\u0161kih zbirk in \u0161e ve\u010d pesmi, ki so iz\u0161le v revijah. Podrobneje predstavljam njegovo mladost in zgodnji pesni\u0161ki opus (dela, nastala med letoma 1945 in 1955), ki ga zaznamuje velika produkcija, obenem pa poezija, ki je preprostej\u0161a in konzervativnej\u0161a kot v zre[1]lej\u0161em obdobju.<\/p>\n Klju\u010dne besede<\/em>: Jean Vodaine, slovensko-francoski literarni stiki, delavska poezija, slovenska izseljenska knji\u017eevnost<\/p>\n <\/p>\n <\/p>\n \u0423\u0440\u0445 \u0424\u0435\u0440\u043b\u0435\u0436 \u0421\u0430\u0436\u0435\u0442\u0430\u043a<\/em>: \u041e\u0432\u0430\u0458 \u0447\u043b\u0430\u043d\u0430\u043a \u0433\u043e\u0432\u043e\u0440\u0438 \u043e \u0436\u0438\u0432\u043e\u0442\u0443 \u0438 \u0440\u0430\u0434\u0443 \u0441\u043b\u043e\u0432\u0435\u043d\u0430\u0447\u043a\u043e\u0433 \u0435\u043c\u0438\u0433\u0440\u0430\u043d\u0442\u0441\u043a\u043e\u0433 \u0443\u043c\u0435\u0442\u043d\u0438\u043a\u0430 \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440\u0430 \u041a\u0430\u0443\u0447\u0438\u0447\u0430 \u2013 \u0416\u0430\u043d\u0430 \u0412\u043e\u0434\u0435\u043d\u0430, \u043a\u043e\u0458\u0438 \u0458\u0435 \u0432\u0435\u045b\u0438 \u0434\u0435\u043e \u0441\u0432\u043e\u0433 \u0436\u0438\u0432\u043e\u0442\u0430 \u043f\u0440\u043e\u0432\u0435\u043e \u0443 \u041b\u043e\u0440\u0435\u043d\u0438 \u0443 \u0424\u0440\u0430\u043d\u0446\u0443\u0441\u043a\u043e\u0458. \u0411\u0438\u043e \u0458\u0435 \u0441\u0432\u0435\u0441\u0442\u0440\u0430\u043d\u0438 \u0443\u043c\u0435\u0442\u043d\u0438\u043a (\u043f\u0435\u0441\u043d\u0438\u043a, \u0441\u043b\u0438\u043a\u0430\u0440, \u0442\u0438\u043f\u043e\u0433\u0440\u0430\u0444, \u0433\u0440\u0430\u0444\u0438\u0447\u0430\u0440-\u0441\u043b\u0430\u0433\u0430\u0447, \u0438\u0437\u0434\u0430\u0432\u0430\u0447, \u0448\u0442\u0430\u043c\u043f\u0430\u0440, \u043f\u0440\u0435\u0432\u043e\u0434\u0438\u043b\u0430\u0446) \u0438 \u043d\u0430\u043f\u0438\u0441\u0430\u043e \u0458\u0435 \u0432\u0435\u043b\u0438\u043a\u0438 \u0431\u0440\u043e\u0458 \u0434\u0435\u043b\u0430, \u043a\u043e\u0458\u0430, \u043e\u0441\u0438\u043c \u045a\u0435\u0433\u043e\u0432\u0435 \u0442\u0438\u043f\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0435, \u0458\u043e\u0448 \u0443\u0432\u0435\u043a \u043d\u0438\u0441\u0443 \u043f\u0440\u0438\u0432\u0443\u043a\u043b\u0430 \u043f\u0430\u0436\u045a\u0443 \u0438\u0441\u0442\u0440\u0430\u0436\u0438\u0432\u0430\u0447\u0430. \u041e\u0432\u0430\u0458 \u0447\u043b\u0430\u043d\u0430\u043a \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0459\u0430 \u0433\u043b\u0430\u0432\u043d\u0435 \u043a\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0441\u0442\u0438\u043a\u0435 \u0412\u043e\u0434\u0435\u043d\u043e\u0432\u043e\u0433 \u043f\u0435\u0441\u043d\u0438\u0447\u043a\u043e\u0433 \u0434\u0435\u043b\u0430, \u043a\u043e\u0458\u0435 \u0443\u043a\u0459\u0443\u0447\u0443\u0458\u0435 \u0442\u0440\u0438\u043d\u0430\u0435\u0441\u0442 \u043f\u0435\u0441\u043d\u0438\u0447\u043a\u0438\u0445 \u0437\u0431\u0438\u0440\u043a\u0438 \u0438 \u043d\u0435\u043a\u043e\u043b\u0438\u043a\u043e \u043f\u0435\u0441\u0430\u043c\u0430 \u043e\u0431\u0458\u0430\u0432\u0459\u0435\u043d\u0438\u0445 \u0443 \u0447\u0430\u0441\u043e\u043f\u0438\u0441\u0438\u043c\u0430. \u0414\u0435\u0442\u0430\u0459\u043d\u043e \u043f\u0440\u0438\u043a\u0430\u0437\u0443\u0458\u0435\u043c\u043e \u045a\u0435\u0433\u043e\u0432\u0443 \u043c\u043b\u0430\u0434\u043ec\u0442 \u0438 \u0440\u0430\u043d\u043e \u043f\u0435\u0441\u043d\u0438\u0447\u043a\u043e \u0441\u0442\u0432\u0430\u0440\u0430\u043b\u0430\u0448\u0442\u0432\u043e (\u0434\u0435\u043b\u0430 \u043d\u0430\u043f\u0438\u0441\u0430\u043d\u0430 \u0438\u0437\u043c\u0435\u0452\u0443 1945. \u0438 1966), \u043a\u043e\u0458\u0435 \u043a\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0448\u0435 \u0432\u0438\u0448\u0435 \u0434\u0435\u043b\u0430. \u040a\u0435\u0433\u043e\u0432\u0430 \u043f\u043e\u0435\u0437\u0438\u0458\u0430 \u0438\u0437 \u043e\u0432\u043e\u0433 \u0432\u0440\u0435\u043c\u0435\u043d\u0430 \u0458\u0435 \u0458\u0435\u0434\u043d\u043e\u0441\u0442\u0430\u0432\u043d\u0438\u0458\u0430 \u0438 \u043a\u043e\u043d\u0437\u0435\u0440\u0432\u0430\u0442\u0438\u0432\u043d\u0438\u0458\u0430 \u043d\u0435\u0433\u043e \u043f\u043e\u0435\u0437\u0438\u0458\u0430 \u0443 \u0437\u0440\u0435\u043b\u0438\u0458\u0435\u043c \u043f\u0435\u0440\u0438\u043e\u0434\u0443.<\/p>\n \u041a\u0459\u0443\u0447\u043d\u0435 \u0440\u0435\u0447\u0438<\/em>: \u0416\u0430\u043d \u0412\u043e\u0434\u0435\u043d, \u0441\u043b\u043e\u0432\u0435\u043d\u0430\u0447\u043a\u043e-\u0444\u0440\u0430\u043d\u0446\u0443\u0441\u043a\u0438 \u043a\u045a\u0438\u0436\u0435\u0432\u043d\u0438 \u043a\u043e\u043d\u0442\u0430\u043a\u0442\u0438, \u043f\u043e\u0435\u0437\u0438\u0458\u0430 \u0440\u0430\u0434\u043d\u0438\u043a\u0430, \u0441\u043b\u043e\u0432\u0435\u043d\u0430\u0447\u043a\u0430 \u0435\u043c\u0438\u0433\u0440\u0430\u043d\u0442\u0441\u043a\u0430 \u043a\u045a\u0438\u0436\u0435\u0432\u043d\u043e\u0441\u0442<\/p>\n <\/p>\n <\/p>\n Urh Ferle\u017e Abstract<\/em>: This article presents the life and work of the Slovenian \u00e9migr\u00e9 artist Vladimir Kau\u010di\u010d \u2013 Jean Vodaine, who spent a significant part of his life in Lorraine, France. He was a versatile and prolific artist (poet, painter, typographer, graphic artist, publisher, printer, translator), but apart from his typography, his oeuvre has not yet received research attention. This article presents the main features of Vodaine\u2019s poetic oeuvre, which comprises thirteen collections of poetry and several poems published in magazines. His youth and early poetic oeuvre (works written between 1945 and 1966) are presented in great detail. This period was marked by a large production, but at the same time by a poetry that is simpler and more conservative than the works from his more mature period.<\/p>\n Keywords<\/em>: Jean Vodaine, Slovene-French literary contacts, workers\u2019 poetry, Slovene \u00e9migr\u00e9 literature<\/p>\n","protected":false},"excerpt":{"rendered":" Slovenika X (2024) 57-78 Znanstveni \u010dlanek UDK: 821.163.6(44).09-1 \u041a\u0430\u0443\u0447\u0438\u0447 \u0412. Prejeto \/ Primljeno \/ Received: 25. 06. 2024. Sprejeto \/ Prihva\u0107eno \/ Accepted: 16. 12. 2024. \u010clanek (PDF) | \u010clanak (PDF) | Paper (PDF) DOI: https:\/\/doi.org\/10.18485\/slovenika.2024.10.1.3 Urh Ferle\u017e Univerza Karla in Franca Gradec In\u0161titut za slavistiko Austrija urh.ferlez@uni-graz.at https:\/\/orcid.org\/0009-0001-7301-1259 Kau\u010di\u010d \u2013 Vodaine: \u017eivljenje in […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5664","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/comments?post=5664"}],"version-history":[{"count":4,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5664\/revisions"}],"predecessor-version":[{"id":5670,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5664\/revisions\/5670"}],"wp:attachment":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/media?parent=5664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nSprejeto \/ Prihva\u0107eno \/ Accepted: 16. 12. 2024.
\n\u010clanek (PDF) | \u010clanak (PDF) | Paper (PDF)<\/a>
\nDOI: https:\/\/doi.org\/10.18485\/slovenika.2024.10.1.3<\/a><\/p>\n
\nUniverza Karla in Franca Gradec
\nIn\u0161titut za slavistiko
\nAustrija
\nurh.ferlez@uni-graz.at<\/a>
\nhttps:\/\/orcid.org\/0009-0001-7301-1259<\/a><\/p>\nKau\u010di\u010d \u2013 Vodaine: \u017eivljenje in (zgodnji) pesni\u0161ki opus<\/h4>\n
\n\u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442 \u041a\u0430\u0440\u043b\u0430 \u0438 \u0424\u0440\u0430\u043d\u0446\u0430 \u0443 \u0413\u0440\u0430\u0446\u0443
\n\u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0437\u0430 \u0441\u043b\u0430\u0432\u0438\u0441\u0442\u0438\u043a\u0443
\n\u0410\u0443\u0441\u0442\u0440\u0438\u0458\u0430
\nurh.ferlez@uni-graz.at<\/a>
\nhttps:\/\/orcid.org\/0009-0001-7301-1259<\/a><\/p>\n\u041a\u0410\u0423\u0427\u0418\u0427 \u2013 \u0412\u041e\u0414\u0415\u041d: \u0416\u0418\u0412\u041e\u0422 \u0418 (\u0420\u0410\u041d\u0418) \u041f\u0415\u0421\u041d\u0418\u0427\u041a\u0418 \u041e\u041f\u0423\u0421<\/h4>\n
\nUniversity of Graz
\nDepartment of Slavic Studies
\nAustria
\nurh.ferlez@uni-graz.at<\/a>
\nhttps:\/\/orcid.org\/0009-0001-7301-1259<\/a><\/p>\nKAU\u010cI\u010c \u2013 VODAINE: LIFE AND (EARLY) POETIC OPUS<\/h4>\n