{"id":5808,"date":"2026-01-25T15:16:55","date_gmt":"2026-01-25T14:16:55","guid":{"rendered":"https:\/\/slovenci.rs\/?page_id=5808"},"modified":"2026-01-25T15:17:45","modified_gmt":"2026-01-25T14:17:45","slug":"jelena-kovacevic-barac-uloga-i-znacaj-slovenackih-umetnika-u-jugoslovenskom-dramskom-pozoristu","status":"publish","type":"page","link":"https:\/\/slovenci.rs\/sl\/jelena-kovacevic-barac-uloga-i-znacaj-slovenackih-umetnika-u-jugoslovenskom-dramskom-pozoristu\/","title":{"rendered":"JELENA KOVA\u010cEVI\u0106 BARA\u0106, ULOGA I ZNA\u010cAJ SLOVENA\u010cKIH UMETNIKA U JUGOSLOVENSKOM DRAMSKOM POZORI\u0160TU"},"content":{"rendered":"

Slovenika XI (2025) 101-136
\nPregledni rad
\nUDK: 792(497.11)(093.2)
\n792.07(497.4):929<\/p>\n

Primljeno \/ Prejeto \/ Received: 20. 07. 2025.
\nPrihva\u0107eno \/ Sprejeto \/ Accepted: 11. 12. 2025.
\n\u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF)<\/a><\/p>\n

DOI: https:\/\/doi.org\/10.18485\/slovenika.2025.11.1.5<\/a><\/p>\n

Jelena Kova\u010devi\u0107 Bara\u0107
\nJugoslovensko dramsko pozori\u0161te
\nBeograd, Srbija
\njelena@jdp.rs<\/a><\/p>\n

Uloga i zna\u010daj slovena\u010dkih umetnika u Jugoslovenskom dramskom pozori\u0161tu<\/h4>\n

Sa\u017eetak<\/em>: Ideja o stvaranju Jugoslovenskog dramskog pozori\u0161ta kao nadnacionalne pozori\u0161ne institucije prikladne novoj dr\u017eavi Jugoslaviji, nastaloj posle Drugog svetskog rata, u osnovi je zna\u010dila da u njemu u\u010destvuju umetnici iz svih delova Jugoslavije i da u njemu treba da se stvara umetnost za sve gra\u0111ane. Kad je 1947. godine doneta odluka o osnivanju Jugoslovenskog dramskog pozori\u0161ta, pozvani su odabrani umetnici iz svih pozori\u0161nih centara. Hermeneuti\u010dkom analizom sa\u010duvanih dokumenata u arhivi Jugoslovenskog dramskog pozori\u0161ta, Arhivu Jugoslavije, objava u \u0161tampi i memoarskoj literaturi istra\u017euje se nadnacionalna i estetska dimenzija slovena\u010dkog u\u010de\u0161\u0107a u osnivanju Jugoslovenskog dramskog pozori\u0161ta. Rad osvetljava pozori\u0161no-istorijsku i kulturolo\u0161ku osnovu interkulturnih odnosa slovena\u010dkih umetnika i dominantno srpske sredine. Cilj rada je da se odgovori na pitanja \u0161ta je idejno i prakti\u010dno zna\u010dio projekat novog teatra, kako je tekao proces kulturne fuzije i u \u010demu se ogleda doprinos slovena\u010dkih umetnika. Ovaj proces se osvetljava zanimanjem za delovanje Bojana Stupice, eruditne li\u010dnosti i glavnog inicijatora takvog pozori\u0161ta, kao i za zadatke i probleme s kojima su se suo\u010davali slovena\u010dki glumci u novoj sredini.<\/p>\n

Klju\u010dne re\u010di<\/em>: Jugoslovensko dramsko pozori\u0161te, Bojan Stupica, kulturno stapanje, slovena\u010dki umetnici, jugoslovenstvo<\/p>\n

—<\/span><\/p>\n

—<\/span><\/p>\n

Jelena Kova\u010devi\u0107 Bara\u0107
\nJugoslovansko dramsko gledali\u0161\u010de
\nBeograd, Srbija
\njelena@jdp.rs<\/a><\/p>\n

VLOGA IN POMEN SLOVENSKIH UMETNIKOV V JUGOSLOVANSKEM DRAMSKEM GLEDALI\u0160\u010cU<\/h4>\n

Povzetek<\/em>: Ideja o ustanovitvi Jugoslovanskega dramskega gledali\u0161\u010da (JDG, srbsko JDP) kot nadnacionalne gledali\u0161ke in\u0161titucije po meri nove dr\u017eave Jugoslavije, nastale po drugi svetovni vojni, je bila temeljno usmerjena v sodelovanje umetnikov iz vseh delov Jugoslavije in ustvarjanje umetnosti za vse dr\u017eavljane. Ko je bila leta 1947 sprejeta odlo\u010dba o ustanovitvi Jugoslovanskega dramskega gledali\u0161\u010da, so bili poklicani izbrani umetniki iz vseh gledali\u0161kih centrov. S hermenevti\u010dno analizo dokumentov, shranjenih v arhivu JDG, Arhivu Jugoslavije, tiskanih objavah in spominski literaturi, bomo raziskali nadnacionalno in estetsko dimenzijo slovenskega doprinosa k ustanovitvi Jugoslovanskega dramskega gledali\u0161\u010da. \u010clanek osvetljuje gledali\u0161ko-zgodovinsko in kulturolo\u0161ko osnovo medkulturnih odnosov med slovenskimi umetniki in prete\u017eno srbskim okoljem, s ciljem, da odgovori na vpra\u0161anje idejnega in prakti\u010dnega pomena projekta novega gledali\u0161\u010da, pojasni potek kulturnega spajanja in prika\u017ee oblike doprinosa slovenskih umetnikov. Raziskavo usmerja zanimanje za delovanje Bojana Stupice, erudita in glavnega pobudnika tak\u0161nega gledali\u0161\u010da, ter izzive in te\u017eave, s katerimi so se soo\u010dali slovenski igralci v novem okolju.<\/p>\n

Klju\u010dne besede<\/em>: Jugoslovansko dramsko gledali\u0161\u010de, Bojan Stupica, kulturno spajanje, slovenski umetniki, jugoslovanstvo<\/p>\n

—<\/span><\/p>\n

—<\/span><\/p>\n

Jelena Kova\u010devi\u0107 Bara\u0107
\nYugoslav Drama Theatre
\nBelgrade, Serbia
\njelena@jdp.rs<\/a><\/p>\n

THE ROLE AND SIGNIFICANCE OF SLOVENIAN ARTISTS IN THE YUGOSLAV DRAMA THEATRE<\/h4>\n

Abstract<\/em>: The idea behind founding the Yugoslav Drama Theatre (YDT) was to establish a supranational institution that would reflect the character of the new Yugoslav state after World War II. The theatre was envisioned as a space that would bring together actors and artists from all regions of Yugoslavia, creating art that resonated with citizens across the entire federation. When the YDT was officially established in 1947, artists from various theatrical centres throughout Yugoslavia were invited to participate. This study conducts a hermeneutic analysis of archival materials from the YDT and the Archive of Yugoslavia, as well as of press clippings and memoir literature, to explore the supranational and aesthetic significance of the involvement of Slovenian artists in the founding of the theatre. It examines the historical and cultural dynamics of intercultural relations between Slovenian artists and that prevailingly Serbian context. The aim of this paper is to examine the conceptual and practical significance of the new theatre project, to trace the process of cultural fusion, and to highlight the contribution of Slovenian artists. These questions are explored through a focused lens: the work of Bojan Stupica, a distinguished intellectual and the key driving force behind such a theatre concept, as well as the tasks and challenges faced by Slovenian artists in this new environment.<\/p>\n

Keywords<\/em>: Yugoslav Drama Theatre, Bojan Stupica, cultural fusion, Slovenian artists, Yugoslavism<\/p>","protected":false},"excerpt":{"rendered":"

Slovenika XI (2025) 101-136 Pregledni rad UDK: 792(497.11)(093.2) 792.07(497.4):929 Primljeno \/ Prejeto \/ Received: 20. 07. 2025. Prihva\u0107eno \/ Sprejeto \/ Accepted: 11. 12. 2025. \u010clanak (PDF) | \u010clanek (PDF) | Paper (PDF) DOI: https:\/\/doi.org\/10.18485\/slovenika.2025.11.1.5 Jelena Kova\u010devi\u0107 Bara\u0107 Jugoslovensko dramsko pozori\u0161te Beograd, Srbija jelena@jdp.rs Uloga i zna\u010daj slovena\u010dkih umetnika u Jugoslovenskom dramskom pozori\u0161tu Sa\u017eetak: Ideja […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5808","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/comments?post=5808"}],"version-history":[{"count":2,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5808\/revisions"}],"predecessor-version":[{"id":5812,"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/pages\/5808\/revisions\/5812"}],"wp:attachment":[{"href":"https:\/\/slovenci.rs\/sl\/wp-json\/wp\/v2\/media?parent=5808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}